So, when it comes to James Stephens’s filmography, things get a bit interesting — his highest rated movie actually happens to be The Getaway (1994), which also, believe it or not, holds the spot as his lowest rated work. Yeah, that’s right — James Stephens has The Getaway (1994) on both ends of the spectrum. It’s kind of surprising, but hey, art is subjective, right? Still, for someone like James Stephens, having the same title pop up as both the peak and the low point definitely raises a few eyebrows. James Stephens clearly had a complex relationship with this particular project. Whether that speaks to inconsistency or just varied audience reception over time, well, that’s up for debate. But one thing’s for sure — James Stephens can’t escape The Getaway (1994) when people talk about his career highlights — or lowlights.