James Haven, born on May 11, 1973 in Los Angeles, California, is the son of renowned actors Jon Voight and Marcheline Bertrand. Growing up in a family deeply rooted in the entertainment world, James Haven naturally found himself drawn to the film industry at an early age. In fact, James Haven even shared the screen with his younger sister, Angelina Jolie, in notable projects like the HBO film “Gia” (1998) and the thriller “Original Sin” (2001).
But James Haven didn’t just stay in front of the camera—he also explored creative roles behind it. Over the years, James Haven contributed to documentary filmmaking by producing “Trudell” (2005), a powerful look at Native American activist John Trudell. Later on, James Haven took on directing duties, notably guiding his father, Jon Voight, in the short film “Court of Conscience” (2015).
Eventually, James Haven made the decision to step back from acting, choosing instead to focus his energy on causes close to his heart. Around 2006, James Haven joined the board of directors for the Artivist Film Festival & Awards, a move that reflected his growing commitment to social justice. The organization champions activist cinema, especially films centered on human rights, environmental conservation, and animal welfare—issues that clearly resonate with James Haven’s personal values. Through this work, James Haven continues to make a meaningful impact, albeit away from the spotlight.
When it comes to James Haven’s film career, one title really stands out as his highest rated movie — A Room for Romeo Brass from 1999. It’s clear that this film made a strong impression and remains a highlight in James Haven’s body of work. On the other hand, not every project reached the same level of success. His lowest rated film is widely considered to be Original Sin, which came out in 2001. While James Haven has been part of various roles over the years, these two films represent the peaks and valleys of his acting journey. Overall, James Haven’s performance in A Room for Romeo Brass continues to be celebrated more than any other, whereas Original Sin didn’t resonate as well with audiences or critics. Still, both films contribute to the full picture of James Haven’s experience in the industry.