Howard Storm has long been a mainstay in the world of television, particularly within the fast-evolving sitcom scene. Over the decades, Howard Storm has carved out a reputation as a go-to director for some of the most beloved comedy series in American TV history. Back in the 1970s, Howard Storm began forging key creative relationships, notably with legendary TV innovator James L. Brooks. During this time, he directed memorable episodes of standout sitcoms like “Rhoda” and “Taxi,” helping shape their comedic tone and visual style.
As the 1980s unfolded, Howard Storm continued to thrive, taking on a major role in the quirky, high-concept comedies that defined the era. He helmed an impressive 59 episodes of the girl-meets-alien favorite “Mork & Mindy,” a show that showcased his knack for balancing absurdity with heart. Howard Storm also lent his directorial expertise to other offbeat series such as the short-lived but charming “Mr. Merlin” and the wildly popular “ALF,” further cementing his place in the decade’s pop-culture fabric.
When the ‘90s arrived, Howard Storm remained a dominant presence behind the camera, especially during the rise of ABC’s iconic TGIF lineup. His work became synonymous with family-friendly humor and sharp timing, evident in episodes of hits like “Full House,” “Head of the Class,” and “Major Dad.” But perhaps one of the highlights of Howard Storm’s career came with his involvement in the critically acclaimed “Everybody Loves Raymond,” where his direction helped elevate the show’s domestic comedy into something both relatable and brilliantly executed.
Throughout his extensive career, Howard Storm has collaborated with a who’s-who of entertainment legends—working closely with icons like Robin Williams, Christopher Lloyd, Valerie Harper, and Redd Foxx. In some cases, Howard Storm even played a role in helping launch their early television careers. Beyond episodic TV, he holds a single feature film credit: the 1985 vampire spoof “Once Bitten,” a little-known but notable comedy that marked the first leading role for a then-unknown Jim Carrey—a performance that foreshadowed the actor’s meteoric rise.
In addition to directing, Howard Storm has contributed creatively as a writer, penning teleplays for classic sitcoms including “Happy Days” and “All in the Family.” And while primarily known for his behind-the-scenes work, he’s occasionally stepped in front of the camera, making cameo appearances in films like Woody Allen’s “Broadway Danny Rose” (as himself) and Garry Marshall’s ensemble romantic comedy “Valentine’s Day.”
Through it all, Howard Storm has remained a quiet yet influential force in television, consistently delivering quality direction across generations of sitcoms. Whether guiding breakout stars or shaping the rhythm of laugh-filled scenes, Howard Storm’s impact on the small screen is both enduring and unmistakable.
When it comes to Howard Storm’s most acclaimed work, Broadway Danny Rose (1984) definitely stands out as his highest rated movie. It’s clear that this film really made a mark, earning strong praise and becoming a standout in Howard Storm’s career. On the other hand, among his filmography, Once Bitten (1985) tends to receive the lowest ratings. While every artist has their ups and downs, Howard Storm is no exception—his work varies in reception, but overall, he’s contributed some memorable titles over the years. Still, if you’re looking at critical response, Howard Storm’s peak is undoubtedly Broadway Danny Rose, while Once Bitten represents a less successful effort.