When it comes to Hideo Sakaki’s body of work, fans and critics often point to Paradise (2009) as his standout achievement—widely regarded as Hideo Sakaki’s highest rated film. It really captures the essence of his storytelling at its best. On the other hand, while still notable in its own right, Still the Water (2014) tends to receive more mixed reactions, making it Hideo Sakaki’s lowest rated movie to date. Of course, artistic taste varies, but when you look at overall reception, the contrast between these two works is pretty clear. Hideo Sakaki definitely had a strong peak with Paradise, and even though Still the Water didn’t resonate as widely, it’s still part of Hideo Sakaki’s evolving creative journey.