Harry Connick Jr. carved out a multifaceted career as both a musician and actor, ultimately becoming a beloved American figure in his own right. Over the course of four decades, he evolved from a child prodigy into a familiar presence on film, television, and stage, all while selling an impressive 28 million albums worldwide as a classic crooner.
Born Joseph Harry Fowler Connick Jr. on September 11, 1967, in New Orleans, LA, Harry was the son of two prominent legal figures. His mother, Anita Frances Livingston, began her career as a lawyer, later became a judge, and eventually served on the Louisiana Supreme Court. His father, Joseph Harry Fowler Connick Sr., was the district attorney of Orleans Parish from 1973 to 2003. Growing up in such an influential household, Connick was exposed to a world of responsibility and excellence from an early age.
He began playing piano at just three years old, performed in public by five, and by ten was already recording with seasoned New Orleans jazz musicians. However, tragedy struck when he was thirteen—his mother passed away from ovarian cancer. In the wake of this loss, Connick immersed himself in music, studying at the New Orleans Center for Creative Arts under the guidance of mentors like Ellis Marsalis Jr. and James Booker.
After high school, Connick made the move to New York City. While attending Loyola University, Hunter College, and the Manhattan School of Music, he lived at the 92nd Street YMHA. It was during his time at the Manhattan School of Music that he met Dr. George Butler, a Columbia Records executive who encouraged him to sign with the label. Connick’s self-titled debut album, Harry Connick Jr., released in 1987, featured instrumental jazz standards and marked the beginning of his rise in the music world.
As he gained traction in the jazz community, performing at some of New York’s most prestigious venues, Connick expanded his artistry. His 1988 album 20 introduced his vocal talents to the public for the first time. This shift caught the attention of director Rob Reiner, who enlisted Connick to provide the soundtrack for When Harry Met Sally (1989). The album, featuring timeless songs like “It Had to Be You” and “Don’t Get Around Much Anymore,” sold over two million copies in the U.S. and earned Connick his first Grammy for Best Jazz Male Vocal Performance.
In 1990, Connick made his acting debut in Memphis Belle, a WWII drama, while continuing to dominate the music charts. His album We Are In Love also went double platinum and won him another Grammy. That same year, he was nominated for an Academy Award for “Promise Me You’ll Remember” from The Godfather Part III, and released his first collection of original songs, Blue Light, Red Light, which achieved platinum status.
Throughout the early ‘90s, Connick balanced film and music with ease. He appeared in Little Man Tate (1991), released the successful 25 (1992), and put out his first holiday album, Where My Heart Finds Christmas (1993), which remains his best-selling album to date.
Looking to expand his musical horizons, Connick ventured into funk with She (1994) and Star Turtle (1996). While these albums didn’t match the commercial success of his earlier work, he found continued success on the big screen. Notably, he played a chilling serial killer in Copycat (1995) and delivered a memorable performance as Will Smith’s ill-fated friend in Independence Day (1996).
In 1997, Connick returned to his musical roots with To See You, a collection of symphonic love ballads. He followed this with his first leading film role in Hope Floats (1998) alongside Sandra Bullock. The late ‘90s also saw the release of Come By Me (1999), a big band album that launched a successful world tour.
Harry Connick Jr. also made his mark on Broadway, earning a Tony nomination for his contributions to the musical Thou Shalt Not (2001) and lending his voice to the narration of My Dog Skip (2000). In 2002, he took on one of his most iconic roles as Dr. Leo Markus on the hit sitcom Will & Grace, a recurring part he played until 2006.
Meanwhile, his music career continued to thrive. His second holiday album, Harry for the Holidays (2003), and Only You (2004), a tribute to 1950s and ‘60s ballads, became some of his most successful releases yet.
In the 2000s, Connick explored more dramatic roles, including a standout performance in William Friedkin’s Bug (2006), and starred in the Broadway revival of The Pajama Game the same year. Later, he reached new audiences with family-friendly films like Dolphin Tale (2011) and its sequel Dolphin Tale 2 (2014). He also tried his hand at daytime television, hosting Harry, a syndicated talk show, from 2016 to 2018.
Through it all, Harry Connick Jr. has remained a versatile and enduring presence in American entertainment, seamlessly blending music, film, and theater into a remarkable legacy.
Harry Connick Jr.’s most acclaimed film to date is Annie Live! from 2021, which received widespread praise and recognition. On the other hand, his least favorably reviewed movie is Basic, released back in 2003, which didn’t quite resonate with audiences or critics. While Connick has been part of various projects over the years, these two films represent the high and low points in terms of critical reception. It’s interesting to see how his career has spanned such a dynamic range in the world of cinema.