Hannah Tointon began her journey in the entertainment world at just nine years old, showing early promise that would carry through her career. It was clear from the start that Hannah Tointon had a natural talent for acting, and she quickly landed roles in well-known British series. One of her earliest appearances was on “Midsomer Murders” (ITV 1, 1996), followed by a part in “Murder City” (ITV 1, 2004–06). As time went on, Hannah Tointon continued to build her resume with performances in various TV productions, including the Syfy movie “The Lost Future” (2010–11).
Breaking into more prominent projects, Hannah Tointon took on a role in the 2008 drama “The Children,” starring Eva Birthistle—a film that marked an important step in her Hollywood path. Throughout the 2010s, she remained active in television, delivering strong performances across several acclaimed dramas. Viewers might recognize Hannah Tointon from her work on “The Hour” (BBC, 2011–13), where she brought depth to her character, or from the beloved series “Call the Midwife” (PBS, 2012–), which further showcased her range. She also made an impression in “Mr. Selfridge” (PBS, 2013–16), a period drama that highlighted her ability to adapt to historical settings.
In addition to these roles, Hannah Tointon appeared in the fantasy adventure “Sinbad” (Syfy, 2013) and the gothic thriller “Penny Dreadful” (Showtime, 2014–16), both of which expanded her presence in international markets. She also contributed to the 2014 historical film “Walking with the Enemy,” demonstrating her versatility across genres. More recently, Hannah Tointon delivered a compelling performance in “Captain Webb” (2015), continuing to prove her staying power in the industry. With each new project, Hannah Tointon has steadily evolved as an actress, maintaining a consistent and respected presence on screen.
When it comes to Hannah Tointon’s filmography, fans and critics alike often point to The Festival (2018) as her standout performance—definitely the highest rated movie in her career so far. It really showcased Hannah Tointon’s range and brought a fresh energy that resonated with audiences. On the other end of the spectrum, Walking With the Enemy (2013) didn’t quite hit the same mark and is generally regarded as the lowest rated project associated with Hannah Tointon. While it had its merits, it just didn’t connect as strongly. Overall, Hannah Tointon continues to build a diverse portfolio, and her work in The Festival remains a highlight for many.