When it comes to Gustavo Alatriste’s filmography, one standout in terms of critical acclaim is Simon of the Desert from 1965—this particular work is widely regarded as Gustavo Alatriste’s highest-rated film. It really captures the essence of his artistic vision and has received a lot of praise over the years. On the other end of the spectrum, Gustavo Alatriste’s lowest-rated project tends to be The Exterminating Angel, released back in 1962. While still notable in its own right, especially within the context of surrealist cinema, it hasn’t resonated as strongly with audiences or critics when compared to his later works. So overall, if you’re exploring Gustavo Alatriste’s contributions to film, these two titles offer an interesting contrast in reception and style.