Greta Garbo is often regarded as the very essence of Hollywood’s Golden Age—an enigmatic, beautiful, and undeniably glamorous figure whose allure was meticulously crafted by Metro-Goldwyn-Mayer, the only studio she ever worked for during her American film career. Upon her arrival in Hollywood, MGM marketed her as the “Swedish Sphinx,” a title that quickly proved fitting as she became one of the most beloved actresses of the silent screen. Her performances in films such as The Torrent (1926), Flesh and the Devil (1927), and Love (1927) captivated audiences worldwide.
Throughout her career, Garbo worked with some of the finest directors and leading men of the era, bringing a unique depth and intensity to her portrayals of complex, often tragic female characters. Whether playing seductive “fallen women” or doomed lovers, she brought a magnetic presence to every role. When the film industry transitioned to sound, many silent stars faded into obscurity, but Garbo thrived. Her distinctive, sultry voice added a new layer to her mystique, particularly in her first talking picture, Anna Christie (1930).
In the years that followed, Garbo delivered a series of unforgettable performances in films like Mata Hari (1931), Grand Hotel (1932), Queen Christina (1933), and Camille (1936)—movies that solidified her status not just in the United States, but as a global icon. Though she was famously private and often difficult on set, Garbo was also a savvy businesswoman who negotiated shrewdly for herself, becoming one of the highest-paid stars of her time.
Her unexpected retirement from film in 1941 came as a shock to fans, but it was entirely in character for someone who had always valued her independence and privacy. For nearly five decades, Greta Garbo lived a secluded life, rarely making public appearances or granting interviews. This air of mystery, maintained until her death in 1990, only added to her legendary status. Today, she remains one of the most enduring and revered figures in the history of cinema.
Greta Garbo’s most acclaimed film is Conquest (1937), which is widely regarded as her best-performing work in terms of ratings and reception. On the other hand, her least appreciated film, at least in terms of critical and audience response, is Two-Faced Woman (1941). While Greta Garbo has an impressive filmography, these two movies stand out as the high and low points of her career. It’s interesting to note that even someone as iconic as Greta Garbo had a film that didn’t quite resonate with audiences. Conquest remains a highlight in Greta Garbo’s career, showcasing her talent and screen presence, while Two-Faced Woman serves as a reminder that even legends have their missteps.