Gilda Radner, born in 1946 in Detroit, Michigan, developed a passion for performance early on, largely influenced by her father, who ran a hotel often visited by artists and musicians. She pursued drama at the University of Michigan but decided to leave before completing her degree, choosing instead to move to Canada with her boyfriend at the time. It was in Toronto that Gilda Radner found her first major opportunity, appearing in the 1972 production of Godspell, alongside notable names like Eugene Levy and Martin Short.
By 1974, Gilda Radner had relocated to New York and became a standout performer on The National Lampoon Radio Hour, a role she held until 1975. That same year, she made history as the first cast member selected for the groundbreaking show Saturday Night Live on NBC. Over time, many of her colleagues from National Lampoon joined her on the show, including well-known figures such as Bill Murray, Chevy Chase, and John Belushi. During her time on Saturday Night Live, Gilda Radner became famous for creating a variety of unforgettable characters, most notably Roseanne Roseannadanna and Baba Wawa—a humorous take on news anchor Barbara Walters.
When Gilda Radner left the show in 1980 along with most of the original cast, she continued to build her legacy by releasing Gilda Live in 1980, a film adaptation of her successful one-woman Broadway performance. In 1982, she starred in the film Hanky Panky, sharing the screen with Gene Wilder, who would later become her husband. The couple went on to work together in two more films: The Woman in Red (1984) and Haunted Honeymoon (1986).
In 1986, Gilda Radner was diagnosed with ovarian cancer. Although the disease briefly went into remission, it ultimately returned and claimed her life in 1989.
Gilda Radner’s most acclaimed movie, in terms of ratings, is All You Need Is Cash (1978), which really stood out among her works. On the flip side, her least favorably reviewed film is Haunted Honeymoon (1986), which didn’t quite resonate with audiences the same way. Throughout her career, Gilda Radner showcased a range of performances, but these two films represent the high and low points in terms of critical reception.