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Gaby Hoffmann-1

Actress Film

Characteristics

Responsible Disciplined Ambitious Self-Controlled Good Manager Practical

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Born
1982-01-08
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MiniBio

Gaby Hoffmann started her acting journey at just four years old, and by seven, she was already making waves with her film debut as Karin Kinsella—the daughter of Kevin Costner’s character—in Field of Dreams (1989). Born into an artistic world as the real-life daughter of Andy Warhol “superstar” Viva, Gaby Hoffmann grew up in the legendary Chelsea Hotel in New York City. Her unique upbringing, combined with her honest nature and naturally endearing charm, quickly made Gaby Hoffmann a standout young talent.

As a child actress, Gaby Hoffmann consistently delivered performances that highlighted her maturity and candid presence on screen. She brought authenticity to roles in beloved films like Uncle Buck (1989), The Man Without a Face, and Sleepless in Seattle—both released in 1993—where her ability to balance wit and emotional depth shone through. In fact, it was her performance in Nora Ephron’s This is My Life (1992) that truly marked a turning point. Playing Opal, the daughter of a stand-up comedienne portrayed by Julie Kavner, Gaby Hoffmann revealed a softer, more vulnerable side that critics praised. That acclaim solidified her desire to pursue acting seriously.

Ephron clearly saw something special in Gaby Hoffmann, casting her again in Sleepless in Seattle, where she played the clever friend of Ross Malinger’s character—the son of Tom Hanks’ role. Though her lead role in the NBC sitcom Someone Like Me (1994) only lasted five episodes, Gaby Hoffmann’s screen presence was undeniable. This led to further opportunities, including playing Shelley Long’s daughter in the ABC TV movie Freaky Friday (1995) and starring in the CBS drama Whose Daughter Is She?, centered around a custody battle.

In 1995, Gaby Hoffmann also appeared in Now and Then, portraying young Samantha—a role later taken by Demi Moore in her adult years—adding another strong coming-of-age performance to her growing resume. The following year, she joined Woody Allen’s musical comedy Everyone Says I Love You (1996), and in 1997, took on the role of Tommy Lee Jones’ daughter in the disaster thriller Volcano.

Gaby Hoffmann continued to explore complex teenage characters, such as in Strike!/The Hairy Bird (1998), where she played an outsider at an all-girls school who leads a protest against coeducation. Similar themes appeared in indie projects like Snapped (1998), set among disaffected teens in East Hampton, and Coming Soon (1999), a prep school-set comedy about adolescent self-discovery. Around the same time, Gaby Hoffmann contributed to ensemble casts in two notable 1999 releases: 200 Cigarettes, a nostalgic look at the 80s featuring rising stars like Christina Ricci and Casey Affleck, and James Toback’s improvisational drama Black and White, filmed without a traditional script.

After a memorable turn in Kenneth Lonergan’s critically acclaimed You Can Count On Me (2000), Gaby Hoffmann stepped back from the spotlight for a while. During this quieter phase, she took small roles in indie films like Perfume (2001) and Severed Ways: The Norse Discovery of America (2005), plus a guest appearance on Law & Order: Criminal Intent (2001). But her return to mainstream attention was both powerful and steady.

Gaby Hoffmann reignited her career in the 2010s with key roles in several high-profile projects. She co-starred in Jenny Slate’s heartfelt romantic comedy Obvious Child (2014) and the fan-funded revival of Veronica Mars the same year. On television, Gaby Hoffmann made a lasting impression with a story arc on HBO’s Girls and a central role in Amazon’s groundbreaking series Transparent (2014– ), where she played the daughter of a parent transitioning later in life—a performance that earned widespread praise.

Further proving her range, Gaby Hoffmann appeared alongside Reese Witherspoon in the moving drama Wild (2014) and delivered a nuanced supporting turn in the indie romance Manhattan Romance (2015). Throughout her career, Gaby Hoffmann has remained a compelling and authentic presence—someone who brings depth, honesty, and quiet strength to every role she takes on.

Trivia

So, when it comes to Gaby Hoffmann’s filmography, there are a few standout points worth mentioning. Gaby Hoffmann has been in quite a number of projects over the years, and if we look at the ratings, one title really stands out on the positive end. Gaby Hoffmann’s highest rated movie is Lyle, which came out in 2014—definitely a highlight in her career. On the flip side, not every project hit the same high notes. In fact, her lowest rated film tends to be 13, released back in 2010. While Gaby Hoffmann has shown impressive range as an actress, these two films represent the top and bottom in terms of critical reception. So overall, Gaby Hoffmann’s work spans a range of successes, with Lyle shining as a favorite among audiences and critics alike.

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