When it comes to Frank Gerstle’s most acclaimed work, Shock Corridor (1963) stands out as his highest rated film by a noticeable margin. Critics and audiences alike have consistently praised this movie for its bold storytelling and intense direction. On the other hand, Frank Gerstle’s career also includes projects that didn’t resonate as strongly, with The Wasp Woman (1959) often cited as his lowest rated film. While it has gained some cult status over the years, it still lags behind in terms of critical reception. So, when reviewing Frank Gerstle’s body of work, it’s clear that Shock Corridor represents a high point, whereas The Wasp Woman remains a more controversial entry. Frank Gerstle definitely had his peaks and valleys, but these two titles highlight the range of his impact in the industry.