So, when we take a look at Eyde Byrde’s work, it’s pretty clear that her standout moment came with Doc Hollywood back in 1991—that one definitely stands out as Eyde Byrde’s highest rated film. It really showcased what Eyde Byrde could bring to the table and earned some great feedback over the years. On the flip side, not every project hit the same high notes. For instance, Harlem Aria from 1999 ended up being Eyde Byrde’s lowest rated movie, kind of falling flat compared to the earlier success. Still, it’s all part of the journey, and Eyde Byrde’s contributions across these films show a range of experiences in the industry.