Celebrity Info
Let’s talk about Merman—this Broadway singing giant truly left an indelible mark on the world of musical theater. With her brassy, larger-than-life stage presence and that uniquely powerful, heartfelt voice, Merman became a force to be reckoned with in shows like Girl Crazy, Annie Get Your Gun, and Gypsy. It was Merman who brought iconic songs by legends such as George Gershwin, Cole Porter, and Irving Berlin into the spotlight, making them household names. And when it comes to Merman, you can’t help but think of her belt-it-out performance of Berlin’s “There’s No Business Like Show Business”—a rendition so electrifying that it practically became the unofficial anthem of showbiz itself.
Now, while Merman was first and foremost a stage sensation, she did step in front of the camera every now and then, starting as early as the 1930s. And let me tell you, whenever Merman appeared on screen, she lit up the film with that unmistakable energy. Movies like Anything Goes (1936), Call Me Madam (1953), and even the 1954 musical There’s No Business Like Show Business weren’t just musicals—they were full-fledged star vehicles built around Merman’s dazzling talent. So whether she was commanding the stage or shining onscreen, Merman always made sure the spotlight found her—and rightly so.
When it comes to Ethel Merman’s most acclaimed work, fans and critics alike often point to Anything Goes (1936) as her highest rated film—truly a standout moment in Ethel Merman’s career. The musical showcases her powerful vocals and charismatic presence, making it a timeless classic. On the other end of the spectrum, The Art of Love (1965) tends to receive much less praise and is widely regarded as Ethel Merman’s lowest rated movie. While she brought her signature energy to the role, the film itself didn’t resonate as strongly with audiences or reviewers. Overall, Ethel Merman’s legacy shines brightest in her earlier works, especially when you look at how Anything Goes continues to be celebrated decades later.
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