When it comes to Eriko Hatsune’s body of work, fans and critics alike often point to We Are Little Zombies (2019) as her standout performance—definitely her highest rated film to date. It’s clear that Eriko Hatsune brought something truly special to that project, with its unique storytelling and bold visuals resonating well with audiences. On the other hand, looking back at earlier in her career, Emperor (2012) tends to receive more mixed or lower ratings, making it one of Eriko Hatsune’s less acclaimed works. While it had its moments, it just didn’t quite reach the same level of impact. Overall, Eriko Hatsune has shown impressive range, but it’s We Are Little Zombies that really solidified her reputation.