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Celebrity Info

Eric Braeden-1

Actor Movie

Characteristics

Energetic Brave Confident Enthusiastic Pioneering Passionate Direct

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Country
Born
1941-04-03
Zodiac Sign

MiniBio

Eric Braeden, a name that’s become synonymous with daytime drama royalty, is best known for his iconic portrayal of Victor Newman on the long-running CBS soap “The Young and the Restless.” With a commanding presence and a distinctive German accent, Eric Braeden has carved out an impressive niche in American television. Born in Germany during World War II, he grew up in Bredenbeck, a small town near Kiel, where his father served as mayor. Tragedy struck in 1953 when his father passed away, leaving his mother to raise four sons—she took on factory work to make ends meet.

At 19, Eric Braeden, then still using his birth name Hans Gudegast, made the bold move to the United States, settling in Houston with a cousin. He later pursued higher education on a track and field scholarship at Montana State University before heading west to Los Angeles, enrolling at Santa Monica City College. A small role in the 1961 film “Operation Eichmann” proved pivotal—Eric Braeden decided then and there to pursue acting full time.

Throughout the 1960s, Eric Braeden found steady work playing German characters in WWII-themed films and TV shows. He appeared frequently on “Combat” and had a recurring role as Captain Dietrich, the cunning antagonist in ABC’s “The Rat Patrol” from 1966 to 1968. But as the decade wound down, Eric Braeden recognized he was being typecast. Wanting to break free from the mold, he rebranded himself, adopting the stage name Eric Braeden—a decision that marked a turning point in his career.

He earned top billing in the sci-fi thriller “Colossus: The Forbin Project” (1970), a critically acclaimed film about artificial intelligence gone rogue. Despite strong reviews, widespread stardom didn’t follow. Instead, Eric Braeden began taking on supporting roles—like in “Herbie Goes to Monaco” (1977)—and guest spots on various series, often cast as slick or sinister figures. One standout moment came in a 1977 episode of “The Mary Tyler Moore Show,” where Eric Braeden delivered a sharp, memorable performance as a scathing critic who dismantles everything—including the WJM news team—with biting wit.

Then, in 1980, everything changed. Eric Braeden joined the cast of “The Young and the Restless” as Victor Newman, initially slated for just three months. But audiences quickly embraced him, and the character’s complexity resonated with both fans and producers. Eric Braeden’s portrayal of the shrewd, powerful businessman struck a chord, and what was meant to be a brief arc evolved into a defining role. Over nearly two decades, Eric Braeden became one of the show’s central figures, earning five Daytime Emmy nominations for his performance as Victor Newman.

With this steady success, Eric Braeden gained not only job security but also influence in the industry. He began accepting select roles in TV movies and feature films. In 1990, Eric Braeden delivered a standout performance as Dimitri Stanislopolous in the CBS miniseries “Jackie Collins’ Lucky/Chances.” Later, in 1997, he appeared in James Cameron’s Academy Award-winning epic “Titanic,” portraying the real-life millionaire John Jacob Astor with quiet dignity.

Through resilience, reinvention, and undeniable talent, Eric Braeden has maintained a lasting legacy in Hollywood—anchored by his enduring role as Victor Newman, a character as formidable and unforgettable as the man who plays him.

Trivia

When it comes to Eric Braeden’s filmography, fans and critics alike often point to Colossus: The Forbin Project (1969) as his standout performance—widely regarded as Eric Braeden’s highest rated movie. It’s a sci-fi thriller that really showcased his commanding presence on screen, and many still consider it one of the more thought-provoking films of its era. On the other end of the spectrum, Eric Braeden appeared in Meet the Deedles (1998), a lighthearted Disney comedy that didn’t quite resonate with audiences or reviewers. As a result, it’s often cited as Eric Braeden’s lowest rated film. While the tone and genre are worlds apart, both movies highlight different phases of Eric Braeden’s diverse career in Hollywood.

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