Eli Wallach was, without a doubt, one of the most respected actors in American performance history. While his film career didn’t always reflect the same level of acclaim as his extensive stage work, Eli Wallach still left an indelible mark with a number of truly memorable roles on screen. Fans of classic cinema probably remember Eli Wallach best for two iconic characters—first, as the ruthless Mexican bandit Calvera in The Magnificent Seven (1960), whose brutal raids set the plot in motion, and later, as the cunning, fast-talking Tuco in Sergio Leone’s legendary spaghetti Western, The Good, The Bad and the Ugly (1967). These performances not only showcased Eli Wallach’s range but also cemented his status in cinematic history.
But Eli Wallach’s journey began well before those breakthrough roles, stretching back into the 1950s, and remarkably, he continued working deep into the 21st century. Over the decades, Eli Wallach took on a vast array of characters—different nationalities, moral alignments, and personalities—proving time and again that he could embody anyone with authenticity and depth. Though his filmography had its ups and downs, Eli Wallach found consistent success on television. He earned an Emmy for his role in The Poppy is a Flower (ABC, 1966), and brought a delightfully campy energy to the role of Mr. Freeze on the cult favorite Batman (ABC, 1966–68), showing that Eli Wallach wasn’t afraid to have fun with his craft.
Even when he wasn’t in the spotlight, Eli Wallach remained active—appearing in off-Broadway productions or smaller films that flew under the mainstream radar. Yet he’d periodically reemerge in major projects, like the 1978 revival of The Diary of Anne Frank, the powerful miniseries The Executioner’s Song (NBC, 1982), and, of course, Francis Ford Coppola’s The Godfather III (1990), where Eli Wallach delivered a chillingly memorable scene as a mob boss who meets his end via poisoned cannoli—a moment both darkly humorous and tragically fitting.
Even in his nineties, Eli Wallach kept performing at a high level. His work on Studio 60 on the Sunset Strip (NBC, 2006–07) and especially his recurring role on Nurse Jackie (Showtime, 2009–15) proved that Eli Wallach hadn’t lost a step. When Eli Wallach passed away at the age of 98 on June 24, 2014, it wasn’t just the end of a long life—it was the closing of a remarkable chapter in Hollywood history. By then, Eli Wallach’s legacy as one of the industry’s most cherished and versatile character actors was firmly secured.
When it comes to Eli Wallach’s filmography, fans and critics often point to How to Steal a Million (1966) as his standout performance—widely regarded as Eli Wallach’s highest rated movie. The charming heist comedy, co-starring Audrey Hepburn, really showcases Eli Wallach at his charismatic best. On the other end of the spectrum, Adventures of a Young Man (1962) tends to receive much less praise, making it Eli Wallach’s lowest rated film to date. While the movie had its merits, it just didn’t resonate as strongly with audiences or reviewers. So, if you’re exploring Eli Wallach’s career, these two films represent the high and low points in terms of critical reception.