Don Megowan was a familiar face in Hollywood, known for his steady presence across a wide range of films during his long and varied career. Don Megowan first made his mark in the entertainment industry through a series of notable film appearances that showcased his versatility as an actor. Early on, he landed roles in several high-profile productions, including the 1954 adaptation Prince Valiant, starring James Mason, where Don Megowan began to gain recognition. He continued building momentum with roles in the beloved western Davy Crockett, King of the Wild Frontier (1955), alongside Fess Parker, and the stylish mystery To Catch a Thief (1955), which featured Cary Grant in a leading role.
As the mid-1950s unfolded, Don Megowan remained active, appearing in titles like A Lawless Street (1955), the sci-fi thriller The Creature Walks Among Us (1956), and the musical Anything Goes (1956) with Bing Crosby. His dedication to the craft kept him busy throughout the decade—he took on parts in The Great Locomotive Chase (1956), once again working with Fess Parker, the horror film The Werewolf (1956), and even ventured into comedy with Jerry Lewis in The Delicate Delinquent (1957). Each project added depth to Don Megowan’s growing filmography.
In the later years of his career, Don Megowan transitioned smoothly into more mature roles. He appeared in the dramatic war film The Devil’s Brigade (1968), sharing the screen with William Holden, and stayed relevant in the 70s with performances in action-oriented projects like Isaac Hayes’ Truck Turner (1974) and Robert Padilla’s adventure flick The Great Gundown (1977). Television also became a key part of his work, with standout appearances in TV movies such as Scream of the Wolf (ABC, 1973–74) and Melvin Purvis: G-Man (ABC, 1973–74).
Even as time moved forward, Don Megowan continued to take on new challenges, with one of his more recent roles being in the NBC production Mrs. R’s Daughter (1979–1980). Throughout it all, Don Megowan maintained a quiet but consistent presence in American cinema, leaving behind a legacy shaped by perseverance, adaptability, and a genuine love for storytelling.
So, when it comes to Don Megowan’s film career, there’s one title that really stands out—The Devil’s Brigade (1968). Interestingly enough, this movie happens to be both his highest rated and lowest rated film. Yeah, you heard that right—Don Megowan, known for his solid presence on screen, has this unique distinction where The Devil’s Brigade (1968) holds the top spot in terms of acclaim, but also finds itself at the bottom in certain reviews. It’s kind of ironic, isn’t it? Don Megowan gives a performance that some critics praise, while others seem less impressed—all within the same movie. Still, The Devil’s Brigade (1968) remains a key point in Don Megowan’s filmography, marking a curious moment in his acting journey.