Dodie Marshall’s most acclaimed movie, film, or music project is Easy Come, Easy Go (1967), which also happens to be her least acclaimed work—making it a rather unique entry in her filmography. Interestingly, both her highest rated and lowest rated movie/film/music is Easy Come, Easy Go (1967), which speaks to the varied opinions surrounding this particular release. While some viewers and critics really connected with the film, others didn’t quite resonate with its style or storytelling. It’s a bit unusual for one piece of work to sit at both ends of the spectrum, but that’s exactly what makes Dodie Marshall’s experience with Easy Come, Easy Go so intriguing.