Dichen Lachman—pronounced DEE-chen—made such a powerful impression on both the producers and fans alike with her undeniable talent and striking Eurasian beauty that, even when she didn’t quite fit the role she originally auditioned for, the team behind Australia’s long-running soap “Neighbours” couldn’t let her go. Instead, they did something pretty rare: they created an entirely new character just for Dichen. That early break was just the beginning of what would become a dynamic career. Soon after, Dichen emerged as one of the many fierce and mesmerizing women to step into the Whedonverse, joining Joss Whedon’s sci-fi thriller “Dollhouse” (Fox, 2009–10), best known by the creator of “Buffy the Vampire Slayer.” With her distinct, sultry presence, Dichen consistently turned heads—her performances often leaving audiences in awe. In 2009, her appeal reached wider recognition when AfterEllen.com, a popular lesbian-focused online magazine, ranked her at No. 94 on their Hot 100 list titled “The Sexiest Women, According to Women.” As praise continued to pour in and Dichen’s public profile steadily climbed, she proved time and again—through each new role—that beneath the stunning looks was a serious dramatic talent. Dichen wasn’t just a face; Dichen was a force. And with every project, Dichen Lachman only solidified her place in the industry.
Dichen Lachman has appeared in a number of films over the years, and when it comes to critical reception, Dichen Lachman’s work varies quite a bit. One standout in her filmography is Raya and the Last Dragon (2021), which ended up being Dichen Lachman’s highest-rated project—earning praise for its storytelling and animation. On the other hand, not every movie she’s been part of has fared as well. For instance, Jurassic World Dominion (2022) received more mixed reactions, making it Dichen Lachman’s lowest-rated film to date. While Dichen Lachman brings depth to each role, these two titles mark the high and low points in terms of audience and critic ratings.