When it comes to David Reynoso’s most acclaimed work, many would point to Nazarín (1959) as his highest rated film—truly a standout moment in his career. Interestingly, and perhaps a bit surprisingly, that same title, Nazarín (1959), is also considered by some critics to be his lowest rated movie. Yes, David Reynoso’s legacy includes this cinematic paradox, where one film holds both the peak and the low point of his rating spectrum. It just goes to show how complex artistic reception can be. David Reynoso clearly left a mark with this particular project, sparking varied interpretations over the years. David Reynoso may have had other roles, but Nazarín remains central to discussions about his impact on film.