Craig Gillespie is a name that’s become synonymous with bold storytelling and genre-defying direction in modern cinema. Born on September 1, 1979, in Sydney, Australia, Craig Gillespie eventually made his way to New York City at the age of nineteen, where he enrolled at Manhattan’s School of Visual Arts to study illustration, graphic design, and advertising—a foundation that would later shape his visually dynamic approach to filmmaking. Over time, Craig Gillespie built a strong reputation in the commercial world, earning multiple Directors Guild of America nominations and even winning the award for Outstanding Directorial Achievement in Commercials back in 2006 for his standout campaigns with Ameriquest and Altoids.
It wasn’t long before Craig Gillespie transitioned into feature films, making his directorial debut with Mr. Woodcock in 2007, a comedy starring Academy Award-winner Billy Bob Thornton. That same year, he directed Lars and the Real Girl, a critically acclaimed dramedy featuring Ryan Gosling as a socially awkward man who forms an emotional bond with a lifelike doll. The film was widely praised, further cementing Craig Gillespie’s name in the indie film landscape.
In 2009, Craig Gillespie was brought on board by executive producers Diablo Cody and Steven Spielberg to direct key episodes of the Showtime series The United States of Tara, a dark comedy-drama centered around a suburban mother, played by Toni Collette, living with dissociative identity disorder. His work on the series showcased his versatility and ability to handle complex emotional narratives.
Craig Gillespie then took on the 2011 remake of the cult horror classic Fright Night, starring Colin Farrell as the menacing vampire Jerry Dandridge. The film marked a successful pivot into the horror genre while maintaining a sleek, stylish tone that became one of Craig Gillespie’s trademarks. He followed this with Million Dollar Arm (2014), a heartwarming sports drama produced by Walt Disney Pictures, telling the true story of an American scout’s journey to discover cricket-playing prodigies in India and turn them into baseball pitchers.
One of Craig Gillespie’s most celebrated projects came in 2017 with I, Tonya, a darkly comedic biographical film about Olympic figure skater Tonya Harding and the infamous attack on her rival, Nancy Kerrigan. The film earned widespread acclaim, particularly for its sharp writing and Margot Robbie’s transformative performance, solidifying Craig Gillespie as a director unafraid to tackle controversial, real-life stories with empathy and flair.
More recently, Craig Gillespie returned to television as both director and executive producer of the Hulu limited series Pam & Tommy (2022), a dramatized retelling of the tumultuous relationship between Mötley Crüe drummer Tommy Lee and actress Pamela Anderson. Once again, Craig Gillespie demonstrated his knack for blending spectacle with intimate character study, drawing strong performances and audience attention alike.
Throughout his career, Craig Gillespie has consistently pushed creative boundaries, whether in comedy, drama, horror, or biopic formats. With each project, the name Craig Gillespie becomes more closely associated with intelligent, visually engaging storytelling that resonates across genres and audiences.
When it comes to Craig Gillespie’s filmography, fans and critics alike often point to I, Tonya (2017) as his standout work—widely regarded as Craig Gillespie’s highest rated movie. The film, which blends dark comedy with a gripping true story, earned significant acclaim and solidified Craig Gillespie’s reputation as a director who can balance tone and emotion with precision. On the other end of the spectrum, Craig Gillespie’s lowest rated movie tends to be Mr. Woodcock (2007), a comedy that didn’t resonate as strongly with audiences or reviewers. While Craig Gillespie brought his unique style to the project, it ultimately didn’t achieve the same level of success or praise. Overall, looking at Craig Gillespie’s career highlights, it’s clear that his approach has evolved, with I, Tonya standing out as a defining moment in Craig Gillespie’s journey as a filmmaker.