Blond, wavy-haired and undeniably charismatic, Christopher Rich first caught audiences’ attention with his movie star looks—so much so that he was cast as the quintessential Prince Charming. But there was always more to Christopher Rich than just charm and good looks. Early on, he proved that his talent ran deeper than appearance, building a solid and diverse acting career over the years. Christopher Rich began his journey in theater, making a strong impression with his Broadway debut in 1980 as Dionysius in the Circle in the Square production of The Bacchae. That early stage success set the tone for what was to come.
By the next year, Christopher Rich transitioned to television, joining the cast of NBC’s daytime drama Another World as Sandy Cory—a role that quickly became a fan favorite. His character was originally slated to make history as the first openly gay man on daytime TV, a groundbreaking moment that could have defined Christopher Rich’s legacy in soap operas. However, network executives reversed course, and the storyline was scrapped. Despite losing that pivotal opportunity, Christopher Rich remained committed to the role, delivering a nuanced performance until his exit in 1985.
After a few unsuccessful pilot ventures, Christopher Rich finally found steady footing with a lead role in The Charmings, the ABC sitcom that aired from 1987 to 1988. The show followed a fairy tale family adjusting to modern suburban life, and Christopher Rich played none other than Prince Charming himself—the legendary husband of Snow White. It was a comedic role that allowed him to showcase his versatility, and Christopher Rich embraced the challenge with wit and timing. His portrayal of the handsome yet hilariously clueless patriarch brought heart and humor to the series, proving once again that Christopher Rich was far more than just a pretty face.
Christopher Rich’s most acclaimed movie is Flight of the Intruder (1991), while, interestingly enough, his least praised film is also Flight of the Intruder (1991). It’s quite a unique situation where the same film holds both distinctions in his filmography.