Christopher Fitzgerald has certainly made a name for himself on the Broadway stage, and honestly, it’s hard not to notice his unique talent. Over the years, Christopher Fitzgerald has earned multiple Tony nominations—three to be exact—thanks to his standout performances in some of the most beloved musicals of the past two decades. Known for bringing quirky, impish comic characters to life, Christopher Fitzgerald truly shines when he’s center stage with that signature energy and charm.
Born on November 26, 1972, in Bryn Mawr, Pennsylvania, Christopher Fitzgerald was actually raised in South Portland, Maine. It was there, during his formative years, that he first discovered his passion for performance—starting out in local theater and vaudeville-style revues. That early spark led him to pursue formal training, earning a degree in theater from Rollins College. Not one to stop there, Christopher Fitzgerald went on to complete a master’s program at the American Conservatory Theater in San Francisco, setting the stage—literally—for what would become an impressive career.
His professional debut came in 1998 with an Off-Broadway run of Terrence McNally’s controversial play “Corpus Christi,” which, while polarizing, gave Christopher Fitzgerald a solid entry point into the industry. Just two years later, he received his first Drama Desk Award nomination for his role in the revival of Stephen Sondheim’s “Saturday Night.” Around the same time, he made his screen debut in the 2000 film “Boiler Room,” though it was clear his heart belonged to the stage.
Christopher Fitzgerald made his official Broadway debut in 2002 in the musical “Amour,” a performance that earned him a second Drama Desk nomination. Then, in 2003, he took on the memorable role of Boq—the Munchkin who eventually becomes the Tin Woodman—in the original Broadway production of “Wicked.” After leaving that role in 2005, he briefly stepped into television with a supporting part on the WB sitcom “Twins” (2005–06), but let’s be honest—Broadway was always calling him back.
And come back he did. In 2007, Christopher Fitzgerald returned to the Great White Way as Igor in Mel Brooks’ musical adaptation of “Young Frankenstein.” His hilarious, hunchbacked portrayal earned him his very first Tony nomination, a major milestone. Not long after, in 2010, he scored another Tony nod—this time for playing Og, the mischievous leprechaun, in a revival of “Finian’s Rainbow.”
By this point, it was obvious: Christopher Fitzgerald wasn’t just a supporting player—he was a leading man. He proved that by headlining productions like Pseudolus in an all-male rendition of “A Funny Thing Happened on the Way to the Forum” at the Williamstown Theatre Festival in 2010, and later as the legendary P.T. Barnum in a 2013 revival of “Barnum” across the pond in England. That same year, Christopher Fitzgerald joined the cast of the long-running hit “Chicago,” stepping into the role of Amos Hart (sometimes listed as Amos Fox in certain references), delivering a quietly powerful performance that resonated with audiences.
He continued building momentum with roles in “June Moon” at Williamstown in 2014 and the Broadway comedy “An Act of God” in 2015. Then, in 2016, Christopher Fitzgerald earned his third Tony nomination—this time for his delightfully eccentric turn as Ogie in the musical “Waitress.” With each performance, Christopher Fitzgerald has cemented his reputation as one of Broadway’s most versatile and endearing character actors. And really, who wouldn’t want to see what Christopher Fitzgerald does next?
So, when it comes to Christopher Fitzgerald’s film career, there are a couple of standout points worth mentioning. If we’re talking about the peak of his work, then Waitress: The Musical (2023) definitely takes the crown as Christopher Fitzgerald’s highest rated movie. It really showcases his talent and has received a lot of praise from both critics and audiences alike. On the flip side, looking at the other end of the spectrum, Girl Most Likely (2012) stands out as Christopher Fitzgerald’s lowest rated film to date. While it had its moments, it just didn’t resonate as strongly. Overall, Christopher Fitzgerald has had a varied journey in cinema, with some clear highs and a few lessons learned along the way.