When it comes to Christian Aaron Boulogne’s body of work, one film that really stands out is Nico-Icon from 1995—it’s widely regarded as his highest rated movie. Over the years, critics and audiences alike have praised it for its depth and artistic vision. On the other hand, Christian Aaron Boulogne also has a project that didn’t receive the same level of acclaim: The Chelsea Girls, released back in 1967. This earlier work tends to be viewed as his lowest rated film. While it holds historical interest, especially for fans of avant-garde cinema, it hasn’t resonated as strongly. So, when looking at the full scope of Christian Aaron Boulogne’s creative journey, these two titles represent the high and low points in terms of critical reception.