Chris Noel was an actor who made a name for himself in the entertainment industry through his work in film. Early in his career, Chris Noel began building momentum with a series of notable movie roles that showcased his range and talent. One of his first major appearances came in the 1963 dramatic adaptation Soldier in the Rain, where he shared the screen with Jackie Gleason—a solid start that helped put Chris Noel on the map. From there, he continued to land roles in a variety of genres, including the fun-filled musical Get Yourself a College Girl (1964), starring Mary Ann Mobley, and the lighthearted comedy Honeymoon Hotel (1964) featuring Robert Goulet.
As the mid-60s rolled around, Chris Noel remained active in Hollywood, appearing in beach-themed films like Beach Ball (1965) and joining none other than Elvis Presley in the musical Girl Happy the same year. It was clear that Chris Noel had found his footing during this era, balancing lighthearted entertainment with more serious projects. In fact, he took on a leading role in Joy in the Morning (1965), further proving his versatility as an actor.
The late ‘60s saw Chris Noel expanding into grittier territory—like the 1967 biker action film The Glory Stompers, which starred Dennis Hopper and gave Chris Noel a chance to explore a more intense, edgy character. He followed that up with For Singles Only (1968), a dramedy co-starring John Saxon, showing once again that Chris Noel could handle both drama and subtle humor with ease.
Moving into the ‘70s, Chris Noel continued to work steadily, including a turn in the psychological thriller The Tormentors (1971). Though film roles became less frequent over time, his dedication to storytelling didn’t fade. Instead, he transitioned into television movies, with appearances in productions like Sin of Innocence (CBS, 1985–86) and Blues For Buder (ABC, 1988–89)—projects that allowed Chris Noel to stay connected to audiences in evolving formats.
Even decades into his career, Chris Noel remained involved in meaningful projects. One of his later contributions was a featured appearance on the documentary special Vietnam: The Soldier’s Story – Women at War (TLC, 1999–2000), highlighting his enduring presence in media. Throughout it all, Chris Noel maintained a steady, grounded approach to his craft, leaving behind a body of work that reflects both the changing times and his adaptability as an artist.
So, when it comes to Chris Noel’s filmography, there’s one movie that really stands out—Joy in the Morning from 1965. Interestingly enough, Chris Noel’s highest rated film happens to be Joy in the Morning (1965), which also, believe it or not, holds the spot as his lowest rated movie. Yeah, you heard that right—Chris Noel’s most praised and least praised work is actually the same film. It’s kind of ironic, isn’t it? But hey, that’s how ratings go sometimes. Chris Noel definitely made an impression with that one, for better or worse.