Charles Frank might have first caught the public’s eye playing a heart-stricken doctor on the beloved daytime drama All My Children, but it was his portrayal of the charming and quick-witted Ben Maverick in the 1970s series Young Maverick that truly cemented Charles Frank’s place in television history. Charles Frank stepped into the boots of the suave gambler in what was essentially a modern reimagining of the classic 1950s western, alongside the TV movie The New Maverick. Despite high hopes, the show only lasted eight episodes before being pulled from the air—though Charles Frank’s performance remained a standout.
Before long, Charles Frank was back on screens, bringing his signature blend of charm and comedic timing to various guest roles. One notable appearance came on Filthy Rich, a satirical take on the over-the-top family feuds seen in popular prime-time soaps. It wasn’t long before Charles Frank landed a meatier, more dramatic role—as astronaut Scott Carpenter in the acclaimed 1983 film The Right Stuff. Based on Tom Wolfe’s novel, the movie explored the intense psychological, emotional, and physical challenges faced by America’s original seven astronauts, with Charles Frank delivering a nuanced and compelling performance.
Later, Charles Frank continued to showcase his range, taking on serious roles such as a naval lawyer in the military soap Emerald Point N.A.S., and later portraying a corrupt senator on the primetime drama Falcon Crest, which delved into the power struggles of a wealthy Southern California dynasty. In 1991, Charles Frank reunited with Filthy Rich co-star Dixie Carter on her hit CBS series Designing Women, not only appearing on-screen but also stepping behind the camera to direct multiple episodes. His directorial skills didn’t stop there—Charles Frank went on to helm several installments of the lighthearted sitcom Evening Shade, starring Burt Reynolds as a former football player adjusting to small-town life. Through it all, Charles Frank proved himself a versatile and enduring presence in American television.
When it comes to Charles Frank’s filmography, one standout in terms of critical acclaim is C.S.A.: The Confederate States of America from 2004—it’s widely regarded as Charles Frank’s highest rated movie. Over the years, fans and critics alike have pointed to this film as a defining moment in his career. On the other end of the spectrum, Charles Frank’s lowest rated film tends to be Russkies, which came out back in 1987. While it may not have resonated as strongly with audiences, it still holds a place in Charles Frank’s body of work. So, whether you’re exploring the highs or the lows, Charles Frank’s contributions to cinema span a range of genres and eras.