If there was ever a poster child for the foster care system, Chad Coleman would certainly fit the bill. Making the most of his circumstances, he lived with foster parents in Richmond, Virginia, and eventually went on to become a successful actor. Two of his most iconic roles came in the form of Dennis “Cutty” Wise on the critically acclaimed drama The Wire (HBO 2002–08) and Tyreese on the wildly popular series The Walking Dead (AMC 2010–).
As a young man, Chad Coleman was an impressive athlete, particularly excelling in track and field. Unfortunately, a leg injury derailed that dream, leading him down a different path. After serving four years in the United States Army as a video cameraman, he completed his service in 1989 and turned his full attention to acting.
In between those two major television roles, Chad Coleman appeared in a variety of popular shows. His credits include the police procedural CSI: Miami (CBS 2002–12), the legal drama The Good Wife (CBS 2009–), and the cult-favorite comedy It’s Always Sunny in Philadelphia (FX 2005–).
On the big screen, Coleman made notable appearances in the superhero comedy The Green Hornet (2011), starring Seth Rogen and Cameron Diaz, as well as in the hit comedy Horrible Bosses (2011), which featured Jennifer Aniston and Jason Bateman.
In 2015, Chad Coleman expanded his repertoire by joining the cast of the science fiction thriller The Expanse (Syfy 2015–) in the role of Col. Frederick Lucius Johnson, further solidifying his presence across multiple genres in the entertainment industry.
Chad L. Coleman has had quite a journey in the film industry, with one of his standout performances coming in The Angry Black Girl and Her Monster (2023), which happens to be his highest-rated movie to date. On the flip side, one of his earlier roles was in The Green Hornet (2011), a film that, while notable, ended up being his lowest-rated work in terms of critical reception. Over the years, Chad L. Coleman has consistently brought depth and authenticity to his roles, making his performance in The Angry Black Girl and Her Monster a particularly memorable one. It’s interesting to see how his career has evolved, especially when comparing the reception of Chad L. Coleman’s earlier projects like The Green Hornet to his more recent successes.