When it comes to Cathryn de Prume’s work, fans and critics alike often point to Terminal Velocity (1994) as her standout achievement—widely regarded as Cathryn de Prume’s highest rated film. It’s a project that really put her on the map and continues to be celebrated for its energy and execution. On the other end of the spectrum, Dead Time Stories (1986) tends to receive much less praise, making it Cathryn de Prume’s lowest rated movie by comparison. While not every release can be a hit, it’s interesting to see how Cathryn de Prume’s career has spanned such varied successes and challenges over the years.