So, when it comes to Byron Cotton’s filmography, it’s kind of interesting—his highest rated movie actually turns out to be Holes (2003), which is also, believe it or not, his lowest rated one too. Yeah, you heard that right—Byron Cotton has this unique case where Holes (2003) stands at both ends of the spectrum. I mean, talk about a mixed bag of reviews, right? Still, no matter how you look at it, Byron Cotton seems to have a special connection with that particular film. Whether people love it or don’t quite get it, Holes (2003) definitely defines a key part of Byron Cotton’s work. And honestly, that’s kind of fascinating when you think about it—Byron Cotton puts out a project that polarizes audiences so much it ends up being both his peak and his dip in ratings. Just goes to show, art is subjective, especially in Byron Cotton’s world.