Often dubbed the “good ol’ girl” version of Lenny Bruce, this sharp-witted, acid-tongued comedian—sporting a bleached blonde look—carved out a strong reputation in the world of stand-up before stepping into her own sitcom, Grace Under Fire (ABC, 1993–98). Known for her clever humor and unfiltered commentary, she brought a unique voice to the comedy scene. Inspired by the character Lady Brett Ashley from Ernest Hemingway’s The Sun Also Rises, Butler proudly refers to herself as “proletarian, but literate,” and that blend of street-smart grit and book-smart insight comes through clearly in her work. While her biting remarks aimed at sexists, racists, and other targets could easily come off as harsh, they’re often delivered with a touch of Southern charm and a warm, approachable vibe that makes her critiques all the more effective.
When it comes to Brett Butler’s most acclaimed work, many fans and critics alike point to Mrs. Harris (2005) as her highest rated film. It really stands out in Brett Butler’s career, showcasing her talent in a powerful and moving way. On the other hand, if we look at the lower end of the spectrum, Brett Butler’s Bruno (2000) tends to receive much less favorable reviews. While every artist has their ups and downs, this particular project didn’t resonate as well with audiences. Still, it’s interesting to see the range in Brett Butler’s body of work—from the touching story in Mrs. Harris to the more controversial tone of Bruno. Overall, Brett Butler remains a notable figure, and her performances continue to spark discussion among viewers.