Bob Fosse—widely regarded as one of the most groundbreaking and influential figures in 20th-century dance and theater—was born Robert Louis Fosse in Chicago, Illinois, in 1927. From a very young age, Bob Fosse showed a deep passion for movement, inspired by the elegant footwork of Fred Astaire. In fact, Bob Fosse was practically dancing before he could even talk, and his talent quickly became undeniable. During World War II, Bob Fosse was recruited to perform in the Pacific for U.S. military bases as part of the variety show “Tough Situation,” which gave him early exposure and experience on stage.
Once the war ended, Bob Fosse dove headfirst into a professional career, appearing on popular television programs like “Your Hit Parade” (NBC, 1950–59). His rising fame led to a contract with MGM, where Bob Fosse appeared in several musical films, including “Give A Girl A Break” (1953), “The Affairs of Dobie Gillis” (1953), and the vibrant “Kiss Me Kate” (1953). But it was on Broadway where Bob Fosse truly began to leave his mark. In 1954, Bob Fosse choreographed his first major hit, “The Pajama Game,” launching what would become an extraordinary run of successes throughout the 1950s and ‘60s, including “Damn Yankees,” “Redhead,” “How to Succeed in Business Without Really Trying,” and the emotionally charged “Sweet Charity.”
In 1969, Bob Fosse made a bold leap into film direction with the movie version of “Sweet Charity,” bringing his signature style to the big screen. The film’s success paved the way for even more ambitious projects, culminating in the critically acclaimed “Cabaret” (1972), which solidified Bob Fosse’s reputation as a visionary filmmaker. Not one to be confined to any single genre, Bob Fosse then directed “Lenny” (1974), a powerful biopic about comedian Lenny Bruce that earned widespread praise for its raw intensity and narrative depth.
Returning to the stage, Bob Fosse brought new life to the classic musical “Chicago,” transforming it into a cultural phenomenon that remains iconic to this day. Never one to rest on his laurels, Bob Fosse returned to cinema with “All That Jazz” (1979)—a daring, semi-autobiographical masterpiece that blended fantasy, reality, and theatrical flair in unprecedented ways. Later, Bob Fosse tackled darker subject matter with “Star 80” (1983), a haunting dramatization of the murder of model Dorothy Stratten, showcasing his range and commitment to complex storytelling.
By 1986, Bob Fosse had once again conquered Broadway with “Big Deal,” a musical he wrote, directed, and choreographed—a true testament to his multifaceted genius. At the time of his death in 1987, Bob Fosse was deep into developing a film about famed gossip columnist Walter Winchell. Tragically, he suffered a fatal heart attack at the age of 60, cutting short a career defined by relentless innovation and artistic brilliance. Even today, Bob Fosse’s influence can be seen across dance, theater, and film—his legacy enduring through every stylized turn, tilted hat, and jazz hand that bears his unmistakable imprint.
When it comes to Bob Fosse’s most acclaimed work, many critics and audiences agree that his highest rated film remains Kiss Me Kate from 1953. It really set the tone early in his career and showcased his unique flair for choreography and storytelling. On the other hand, while Bob Fosse has had a string of impressive projects, Sweet Charity released in 1969 tends to stand out—but not necessarily in a positive way—being regarded as his lowest rated movie. Still, even in his less successful ventures, Bob Fosse’s creative fingerprints are unmistakable. Over the years, Bob Fosse has influenced countless artists, but these two films, especially when compared, highlight the range of his cinematic journey.