Celebrity Info
Blake Anderson has always had a knack for turning his quirky, slightly disheveled charm into comedy gold. With his impressively styled hair and laid-back demeanor, Blake Anderson quickly became a standout in the world of alternative comedy. It all started when he co-founded the sketch group Mail Order Comedy, which brought together his unique energy with that of fellow comedians Adam Devine, Anders Holm, and Kyle Newacheck. The group began as a live act but gained serious traction online—especially on platforms like Myspace and YouTube—where their offbeat sketches caught the eye of Comedy Central executives.
And just like that, Blake Anderson found himself at the center of “Workaholics,” the slacker-centric sitcom that premiered in 2011 and ran for seven seasons. Co-created, written, and performed by all four members of Mail Order Comedy, the show followed three underachieving friends stuck in dead-end telemarketing jobs, blending absurd improv-driven humor with relatable millennial angst. Blake Anderson played one of the leads, bringing his signature lazy yet lovable persona to life, and the show soon developed a cult following among younger audiences and critics who appreciated its raw, unfiltered take on post-college limbo.
But Blake Anderson didn’t stop there. While “Workaholics” was still on the air, he popped up in a variety of other projects, showing off his range across genres. He made guest appearances on popular series like HBO’s “Entourage” and Netflix’s revival of “Arrested Development,” while also landing a recurring role on NBC’s beloved “Parks and Recreation” as the chill founder of a tech startup. His voice acting debut came in 2013 with Fox’s animated film “Epic,” where Blake Anderson voiced a sinister forest creature—a surprisingly menacing turn for someone known for goofball roles.
From there, he continued building his film resume with a small but memorable part in Seth Rogen’s hit comedy “Neighbors” (2014), followed by a supporting role in the critically acclaimed indie “Dope” (2015). That same year, he joined the cast of “Scouts Guide to the Zombie Apocalypse,” blending horror and humor in true Blake Anderson fashion. As “Workaholics” approached its final season, Blake Anderson stayed busy, even appearing in an episode of the long-running CBS hit “The Big Bang Theory” and lending his voice to “The Jellies,” an Adult Swim animated series co-created by Tyler the Creator.
Born on March 2, 1984, in Sacramento County, California, Blake Anderson’s journey began at Valley High School in Concord before moving on to Orange Coast College in Costa Mesa. It was there that he first connected with Adam Devine, sparking a creative partnership that would shape much of his career. After relocating to Los Angeles, Blake Anderson honed his craft through improv training with legendary groups like the Groundlings and Upright Citizens Brigade—experience that clearly paid off.
Through a mix of grassroots online success, sharp improv instincts, and undeniable screen presence, Blake Anderson carved out a distinctive space in modern comedy. Whether headlining a cult TV show or stealing scenes in films, Blake Anderson consistently brought a unique blend of silliness and sincerity that resonated with fans and peers alike.
When it comes to Blake Anderson’s filmography, fans and critics alike often point to Dope (2015) as his standout performance—widely regarded as Blake Anderson’s highest rated movie. The coming-of-age comedy-drama not only received strong reviews but also showcased Blake Anderson in a more dynamic and engaging role. On the other end of the spectrum, Blake Anderson’s lowest rated movie tends to be Show Dogs (2018), a family comedy that unfortunately didn’t resonate well with audiences or critics. While Blake Anderson brings his signature energy to every project, it’s clear that some films, like Dope, land much more effectively than others. Still, Blake Anderson continues to be a recognizable presence in the entertainment world, with his work spanning across various genres and formats.
United States
