Sure, here’s the rewritten version:
When you think about Bill Condon, it’s hard not to be impressed by the sheer range and versatility he’s brought to filmmaking over the years. Early on, Bill Condon made a name for himself with gripping dark thrillers, moody mysteries, and unsettling horror films—genres that showcased his knack for building tension and exploring complex psychological themes. But anyone who thought Bill Condon might stick to one style soon realized they were wrong. Over time, he began shifting toward more personal, introspective projects, digging into stories with emotional depth and dramatic weight.
Then, just when audiences thought they had him figured out, Bill Condon surprised everyone by stepping into the world of musical theater with bold, dazzling adaptations. His work on “Chicago” (2002) as a screenwriter set the stage, but it was “Dreamgirls” (2006)—which he both wrote and directed—that truly announced his flair for large-scale, emotionally charged musicals. And let’s not forget, Bill Condon already had major acclaim under his belt, including an Academy Award for Best Adapted Screenplay for “Gods and Monsters” (1998), a haunting drama starring Ian McKellen as an aging director reflecting on his past. That film alone cemented Bill Condon as a storyteller unafraid of tackling difficult, layered characters.
He followed that up with “Kinsey” (2004), a biographical drama about the controversial sex researcher Alfred Kinsey, further proving Bill Condon’s interest in real-life figures pushing societal boundaries. Fast forward a few years, and fans were shocked—some even stunned—when Bill Condon took the helm of the final two installments of “The Twilight Saga: Breaking Dawn” (2011, 2012). While critics weren’t exactly singing praises, the films were massive box office successes, catapulting Bill Condon into the ranks of directors who could handle blockbuster franchises with confidence.
From there, Bill Condon continued to zigzag across genres. He tackled the tense, tech-driven narrative of “The Fifth Estate” (2013), offered a poignant late-life portrait of Sherlock Holmes in “Mr. Holmes” (2015), and then swung back to mainstream magic with the live-action remake of “Beauty and the Beast” (2017), starring Emma Watson. Each project, vastly different in tone and scale, carried the unmistakable mark of Bill Condon’s craftsmanship. Whether working on intimate dramas or grand spectacles, Bill Condon has consistently shown he’s not just adaptable—he’s exceptional.
When it comes to Bill Condon’s filmography, there’s a clear standout in terms of critical reception. Bill Condon’s highest rated movie is undoubtedly Come From Away (2021), which received widespread acclaim for its heartfelt storytelling and emotional depth. On the other end of the spectrum, Bill Condon’s lowest rated film is Candyman: Farewell to the Flesh (1995), a project that, while having its fans, didn’t resonate as strongly with critics or audiences. Overall, Bill Condon has had a varied career, but these two titles mark the high and low points in terms of ratings. It’s interesting to see how Bill Condon’s work spans different genres and eras, yet some projects shine brighter than others.