With her instantly recognizable curly red hair and porcelain doll-like features, Bernadette Peters stood out from the very beginning. Even before she made her big splash in 1968’s Dames at Sea, Bernadette Peters had already built a solid foundation as a seasoned theater actress. Over time, Bernadette Peters became synonymous with excellence on the Broadway stage, earning widespread acclaim and multiple Tony and Drama Desk Awards for her powerful performances.
Throughout her illustrious career, Bernadette Peters shone brightly in a string of celebrated musicals—Song and Dance, Sunday in the Park with George, Into the Woods, Annie Get Your Gun, Gypsy, and A Little Night Music—solidifying her status as the go-to interpreter of Stephen Sondheim’s complex, emotionally rich works. It wasn’t just critics who took notice; audiences adored her, drawn to her impeccable comic timing, her soaring vocal range, and that rare kind of charisma that lights up even the largest stages.
Of course, Bernadette Peters didn’t limit herself to theater. She made memorable appearances on screen too. Fans loved her in Mel Brooks’ Silent Movie (1976) and the comedy gem The Jerk (1979), where her brief but unforgettable role showcased her knack for physical humor. Then came Pennies from Heaven (1981), a performance so moving it earned Bernadette Peters a Golden Globe, proving she could captivate beyond the footlights. She also brought charm and warmth to Annie (1982), further expanding her reach.
Offstage, Bernadette Peters was romantically linked to comedian Steve Martin during a high point in both their careers—a pairing that only added to her public fascination. But it was her versatility that kept her relevant across decades. Whether appearing in variety shows, tribute concerts, or televised productions, Bernadette Peters helped bring Broadway to living rooms everywhere.
Even viewers who weren’t typically drawn to musical theater found themselves enchanted by Bernadette Peters in roles like the cunning sorceress Circe in NBC’s The Odyssey (1997) or as the deliciously sharp-tongued stepmother in ABC’s Rodgers and Hammerstein’s Cinderella (1997), opposite Brandy. That performance, in particular, introduced her magic to a whole new generation.
Over the years, Bernadette Peters continued working steadily—on stage, on screen, and in concert—with a consistency and brilliance that few could match. Revered by peers and fans alike, Bernadette Peters is often celebrated not just as one of the greatest musical theater performers ever, but by many, quite simply, as the greatest. And honestly, it’s hard to argue otherwise when you’ve seen Bernadette Peters command a stage the way she does.
When it comes to Bernadette Peters, her standout performance in terms of critical acclaim definitely comes from Rodgers & Hammerstein’s Cinderella (1997), which is widely regarded as Bernadette Peters’s highest-rated film. It’s no surprise that this beloved musical adaptation remains a fan favorite and a shining moment in Bernadette Peters’s career. On the other hand, looking at the lower end of the spectrum, Bernadette Peters appeared in Heartbeeps (1981), a movie that didn’t quite resonate with audiences or critics—making it Bernadette Peters’s lowest-rated project to date. While Bernadette Peters has had a long and illustrious career across stage and screen, these two titles really highlight the range of her work, for better or worse.