Actor Ben Weber has been a familiar face on screens big and small since the late 1990s, steadily building an impressive body of work across film, television, and commercials. Ben Weber’s journey into acting kicked off in a major way when he snagged a small but memorable part in the 1996 box office hit “Twister.” Not long after that early break, Ben Weber landed a more prominent role as Skipper Johnston in HBO’s wildly popular series “Sex and the City,” helping to establish his presence in the entertainment industry.
As the new millennium rolled in, Ben Weber continued to stay active in both movies and TV. He appeared in the critically acclaimed indie film “Kissing Jessica Stein” in 2001 and had a recurring role on the beloved drama “Everwood.” Around the same time, Ben Weber became one of the original faces of the quirky GEICO cavemen ads, which quickly gained a cult following and further raised his public profile.
A few years down the line, Ben Weber made guest appearances on two of the most respected shows of the era—medical drama “ER” and political series “The West Wing”—showcasing his versatility as an actor. His career took another significant turn when he joined the cast of “The Secret Life of the American Teenager” in a longer-term role, earning recognition from a new generation of viewers.
Beyond acting, Ben Weber has also explored other creative avenues. He’s not just in front of the camera—he’s stepped behind it too. In 2003, Ben Weber wrote and directed the film “Little Red Light,” proving his talents extend beyond performance into storytelling and filmmaking. Over the years, Ben Weber has remained a consistent and dynamic figure in Hollywood, balancing diverse roles with creative projects that reflect his broad artistic range.
When it comes to Ben Weber’s filmography, fans and critics alike often point to The Broken Hearts Club (2000) as his standout performance—definitely the highest rated movie in Ben Weber’s career. It’s a heartfelt indie gem that really showcased his talent early on. On the other end of the spectrum, Losing Control (2011) tends to receive more mixed or lower reviews, making it Ben Weber’s lowest rated film to date. While opinions can vary, these two titles mark the high and low points when evaluating Ben Weber’s work in cinema.