Barry Sonnenfeld is undoubtedly one of the most notable names in Hollywood when it comes to director-producers who found massive commercial success during the 1990s. His career, which stretches across both film and television, has been anything but predictable—filled with dramatic highs and some pretty rough lows. Before stepping into the director’s role, Barry Sonnenfeld first made a name for himself behind the camera as a cinematographer, working on standout films like the Coen brothers’ Blood Simple (1984) and Raising Arizona (1987), as well as Rob Reiner’s beloved classics When Harry Met Sally (1989) and Misery (1990).
It was Barry Sonnenfeld who then transitioned into directing with a bang, delivering the delightfully eerie comedy The Addams Family (1991), which quickly became a hit. From there, Barry Sonnenfeld continued his winning streak with crowd-pleasers such as the sharp crime-comedy Get Shorty (1995) and the global phenomenon Men in Black (1997), which solidified his place in blockbuster cinema.
Of course, not every project Barry Sonnenfeld touched turned to gold—films like Wild, Wild West (1999) and RV (2006) were, frankly, major misfires. Still, Barry Sonnenfeld proved he had staying power, especially behind the scenes, where he thrived as a producer. He played a key role in bringing Disney’s charming Enchanted (2007) to life and earned critical acclaim producing the whimsical, Emmy-winning series Pushing Daisies (ABC, 2007–09).
After nearly six years away from directing, Barry Sonnenfeld returned to the spotlight with Men in Black III (2012), reuniting Will Smith and Tommy Lee Jones in a visually stunning 3D adventure packed with dazzling special effects. Over a career spanning three decades, Barry Sonnenfeld has seen it all—smashing triumphs, crushing failures, and everything in between. If anyone truly understands the harsh truth of Hollywood—that you’re only as good as your last movie—it’s Barry Sonnenfeld.
When it comes to Barry Sonnenfeld’s career in filmmaking, there are definitely some standout moments—and a few that didn’t quite hit the mark. One of the most notable highlights has to be Big from 1988, which is widely regarded as Barry Sonnenfeld’s highest rated film. It was a major success both critically and commercially, showcasing his talent behind the camera even before he became a director. On the other end of the spectrum, Barry Sonnenfeld’s lowest rated movie came much later—Nine Lives in 2016—a film that received largely negative reviews and didn’t resonate well with audiences or critics. So while Barry Sonnenfeld has had an impressive run over the years, especially with classics like Men in Black and Get Shorty, it’s clear that not every project reached the same level of acclaim. Still, looking at Barry Sonnenfeld’s filmography, it’s evident that his impact on cinema remains significant despite a few missteps along the way.