When it comes to Arturo de Cordova’s filmography, fans and critics often point to Él (1953) as his standout performance—widely regarded as his highest rated movie. The psychological depth and intensity he brought to the role truly set it apart in his career. On the other hand, Arturo de Cordova’s lowest rated film tends to be For Whom the Bell Tolls (1943), a project where, despite strong source material, the final reception didn’t reflect the same level of acclaim. While Arturo de Cordova delivered solid work throughout his career, these two films mark the peaks and valleys in terms of critical response. It’s interesting how Arturo de Cordova’s legacy includes such contrasting highs and lows across different eras of cinema.