She’s an accomplished author and photographer, but many people first recognize her as the wife of beloved M*A*S*H actor Alan Alda. Still, her own creative journey stands strong on its own merits. Over the years, she has published more than a dozen children’s books, earning praise for titles like Sheep, Sheep, Sheep, the soothing Help Me Fall Asleep (1992), and the engaging Arlene Alda’s 1,2,3 (1998). Before stepping into the spotlight through her writing and photography, she was deeply immersed in music. A talented clarinetist, she pursued her passion by majoring in music at Hunter College. Her dedication earned her a prestigious Fulbright scholarship, which allowed her to study in Cologne, Germany—an experience that undoubtedly shaped her artistic outlook. Later, she shifted creative gears, diving into photography under the mentorship of notable figures like Lou Bernstein and Mort Shapiro. In 1958, she married Alan Alda, beginning a lifelong partnership that would blend love, art, and family. Together, they raised three daughters—Eve, Elizabeth, and Beatrice—building a legacy rooted in creativity and connection. Throughout it all, Arlene Alda has remained a quiet force, shaping stories and images with grace and purpose.
She worked alongside her husband to co-write a book back in 1983 titled The Last Days of Mash, which highlighted her photographic contributions. She played a key role in shaping the project, and her vision really came through in the final product. Her collaboration with her husband brought a unique perspective to the work, making it a memorable piece. Her photographs were central to the book’s impact, and her creative input was essential throughout the process. Her influence is evident on every page, reflecting her deep connection to the subject matter.