Download our App
Celebrity Info

Ann Reinking

Actress Film

Characteristics

Resourceful Brave Passionate Determined A True Friend Magnetic

OverView

Country
Born
1949-11-10
Zodiac Sign

MiniBio

Ann Reinking was a force of nature—a wildly talented actress, choreographer, and dancer whose name became synonymous with the golden era of Broadway. Trained in ballet and starting out as a chorus girl in New York City, Ann Reinking’s life took a pivotal turn when she met the legendary Bob Fosse. From that moment on, Ann Reinking wasn’t just another performer—she emerged as his protégée and muse, shaping her destiny in the world of theater.

With grace and grit, Ann Reinking lit up the stage in a string of iconic productions, including “Goodtime Charley,” “Dancin’,” “A Chorus Line,” and “Over Here!” Her career reached new heights in 1977 when Ann Reinking made headlines by stepping into the role of Roxie Hart in “Chicago”—a part once made famous by Fosse’s wife, Gwen Verdon. It was a bold move, but Ann Reinking owned it with charisma and precision.

Nearly two decades later, Ann Reinking cemented her legacy by reimagining and choreographing the revival of “Chicago,” a production that swept the globe and earned her a well-deserved Tony Award. The brilliance of Ann Reinking’s vision brought fresh energy to the classic show, proving her mastery not only as a performer but as a creative visionary.

To mainstream audiences, Ann Reinking will always be remembered as the charming, twinkle-toed Grace Farrell—the devoted secretary and hopeful romantic interest to Daddy Warbucks (played by Albert Finney) in the beloved film “Annie” (1982). She also showcased her range in films like “Micki + Maude” (1984), starring opposite Dudley Moore, and lent her choreographic genius to the TV movie “Bye Bye Birdie” (ABC, 1995).

But beyond the spotlight, Ann Reinking dedicated herself to preserving the artistry of dance and the legacy of Bob Fosse. As she transitioned into directing and choreography, Ann Reinking continued to inspire generations with her passion for Broadway. A true icon, Ann Reinking remains one of the most celebrated figures in modern theater history—her name forever etched in the rhythm of the Great White Way.

Trivia

When it comes to Ann Reinking’s career highlights, one film really stands out—All That Jazz from 1979. This movie is widely regarded as Ann Reinking’s highest rated performance and remains a defining moment in her artistic journey. The film not only showcased her incredible talent as a dancer and actress but also solidified her legacy in the world of musical cinema. On the other hand, Ann Reinking’s lowest rated project came a few years later with Annie in 1982. While the movie had its fans, it didn’t quite resonate the same way critically or commercially. Still, Ann Reinking’s contribution to both films reflects her enduring presence in the industry. Whether you’re exploring Ann Reinking’s best work or tracing her more challenging roles, these two films offer a telling contrast in her impressive filmography. Ann Reinking truly left her mark, and her performances continue to be discussed by fans and critics alike.

Similar Celebrities

A.J. Cook
A.J. Cook
Movie

A.J. Cook’s journey into the entertainment world started with a passion for dance, where she built her early foundation as a competitive performer. It wasn’t long before A.J. Cook made her way into acting, catching her first real break at just 17 years old. In 1997, A.J. Cook appeared in an episode of the popular kids’ horror series “Goosebumps,” which gave her initial exposure to on-screen frights. That same year, she landed a role in the TV drama “In His Father’s Shoes,” marking the beginning of what would become a steady climb in her career. From there, A.J. Cook continued to take on various television projects, building up her experience and screen presence. By 1999, she gained wider recognition with a standout performance as Mary Libson in Sofia Coppola’s atmospheric film “The Virgin Suicides,” playing one of the tragic sisters whose story captivated audiences. That same year, A.J. Cook stepped into her first leading role with the supernatural thriller “Teen Sorcery,” a direct-to-video flick where she battled a sinister cheerleader while navigating time travel—proving early on that A.J. Cook had a knack for genre roles. In 2000, A.J. Cook joined the cast of the Fox Family Channel drama “Higher Ground,” portraying Shelby, the love interest of Hayden Christensen’s character. The role allowed A.J. Cook to explore more emotional storytelling within a family-centered series. Not ones to shy away from darker themes, A.J. Cook soon returned to horror, headlining the gritty, straight-to-video slasher “Ripper” in 2001. Her portrayal of the determined heroine showcased her ability to carry a film, even within the lower-budget realm. That same year, A.J. Cook lent her presence to “Wishmaster III,” a direct-to-video sequel in the cult horror franchise, further cementing her status in the B-movie horror circuit. She also experimented with comedy, showing off a different side in the goofy snowboard-centric film “Out Cold.” Though the movie leaned more on slapstick than substance, it demonstrated A.J. Cook’s willingness to try new genres. However, she quickly circled back to her roots with another obscure horror entry, “The House Next Door” (2001), keeping her firmly planted in suspenseful territory. Then came a major turning point: in 2002, A.J. Cook took on the lead in “Final Destination 2,” a mainstream horror sequel with a growing fanbase. As the college student who narrowly escapes death—only to be hunted by fate itself—A.J. Cook delivered a compelling and intense performance. This role not only elevated her profile but also introduced her to a much broader audience. With each project, A.J. Cook proved her versatility and resilience, steadily carving out a unique space in film, especially within the thriller and horror genres.

Ask Higo Singles Anything