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Celebrity Info

Angelle Brooks-1

TV Actress

Interests

TV Shows

Characteristics

Confident Generous Creative Warm-Hearted Passionate Natural Leader

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Country
Born
1967-08-11
Zodiac Sign

MiniBio

The American actress, known for her standout performances, gained widespread recognition for her roles as Maxine de la Cruz in the popular series V.I.P. and as Holly Brooks in Malcolm & Eddie. Before she rose to fame, the actress made her debut in 1994 with an appearance on the acclaimed show The Larry Sanders Show, marking the beginning of her journey in Hollywood. Growing up, she was part of a close-knit family of four children in Miami, Florida, where she spent her formative years. The American actress has since built a solid career, with each role adding depth to her growing legacy. Her early experiences helped shape her path, and today, the American actress continues to be remembered for her memorable contributions to television.

Trivia

She popped up in a few different shows here and there, you know, like NYPD Blue and The Fresh Prince of Bel-Air—she really brought energy to each role she took on. She had this way of making every appearance memorable, whether it was a quick scene or a more involved part. Yeah, she definitely made her mark across those series, especially with the kind of presence she showed on NYPD Blue and The Fresh Prince of Bel-Air. She just had that spark.

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A.J. Cook
A.J. Cook
Movie

A.J. Cook’s journey into the entertainment world started with a passion for dance, where she built her early foundation as a competitive performer. It wasn’t long before A.J. Cook made her way into acting, catching her first real break at just 17 years old. In 1997, A.J. Cook appeared in an episode of the popular kids’ horror series “Goosebumps,” which gave her initial exposure to on-screen frights. That same year, she landed a role in the TV drama “In His Father’s Shoes,” marking the beginning of what would become a steady climb in her career. From there, A.J. Cook continued to take on various television projects, building up her experience and screen presence. By 1999, she gained wider recognition with a standout performance as Mary Libson in Sofia Coppola’s atmospheric film “The Virgin Suicides,” playing one of the tragic sisters whose story captivated audiences. That same year, A.J. Cook stepped into her first leading role with the supernatural thriller “Teen Sorcery,” a direct-to-video flick where she battled a sinister cheerleader while navigating time travel—proving early on that A.J. Cook had a knack for genre roles. In 2000, A.J. Cook joined the cast of the Fox Family Channel drama “Higher Ground,” portraying Shelby, the love interest of Hayden Christensen’s character. The role allowed A.J. Cook to explore more emotional storytelling within a family-centered series. Not ones to shy away from darker themes, A.J. Cook soon returned to horror, headlining the gritty, straight-to-video slasher “Ripper” in 2001. Her portrayal of the determined heroine showcased her ability to carry a film, even within the lower-budget realm. That same year, A.J. Cook lent her presence to “Wishmaster III,” a direct-to-video sequel in the cult horror franchise, further cementing her status in the B-movie horror circuit. She also experimented with comedy, showing off a different side in the goofy snowboard-centric film “Out Cold.” Though the movie leaned more on slapstick than substance, it demonstrated A.J. Cook’s willingness to try new genres. However, she quickly circled back to her roots with another obscure horror entry, “The House Next Door” (2001), keeping her firmly planted in suspenseful territory. Then came a major turning point: in 2002, A.J. Cook took on the lead in “Final Destination 2,” a mainstream horror sequel with a growing fanbase. As the college student who narrowly escapes death—only to be hunted by fate itself—A.J. Cook delivered a compelling and intense performance. This role not only elevated her profile but also introduced her to a much broader audience. With each project, A.J. Cook proved her versatility and resilience, steadily carving out a unique space in film, especially within the thriller and horror genres.

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