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Celebrity Info

Angela Greene

Actress Film

Characteristics

Compassionate Artistic Intuitive Gentle Wise Musical Empathetic

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Born
1921-02-24
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MiniBio

Angela Greene was an actress who enjoyed a successful career in Hollywood. In the early stages of her journey in the entertainment industry, she secured roles in a variety of films. Among her early appearances were parts in the Joan Leslie drama Too Young to Know (1945), the Dennis Morgan musical The Time, the Place and the Girl (1946), and the Ronald Reagan-led drama Stallion Road (1947). She also starred in the comedy At War With the Army (1950), sharing the screen with Dean Martin.

Throughout the 1950s, Angela Greene continued to maintain a steady presence in film. She appeared in Loose in London (1953), a comedy featuring Leo Gorcey, as well as in Shotgun (1955), which starred Sterling Hayden. Another notable role during this time was in Night of the Blood Beast (1958). As her career progressed, Greene took on roles in films like The Cosmic Man (1959) and Tickle Me (1965).

In the later years of her acting career, Angela Greene was part of the cast in Futureworld (1976), a sci-fi sequel starring Peter Fonda. More recently, she contributed her voice to the animated adaptation The Plague Dogs (1982), working alongside Warren Mitchell.

Trivia

Angela Greene’s most acclaimed movie, believe it or not, is Futureworld (1976), which also happens to be her least appreciated work—pretty interesting when you think about it. It’s kind of funny, in a way, that the same film holds both titles. You’d expect a different result, right? But according to the ratings, Futureworld (1976) stands out as the one that really defines both ends of the spectrum for Angela Greene.

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A.J. Cook
Movie

A.J. Cook’s journey into the entertainment world started with a passion for dance, where she built her early foundation as a competitive performer. It wasn’t long before A.J. Cook made her way into acting, catching her first real break at just 17 years old. In 1997, A.J. Cook appeared in an episode of the popular kids’ horror series “Goosebumps,” which gave her initial exposure to on-screen frights. That same year, she landed a role in the TV drama “In His Father’s Shoes,” marking the beginning of what would become a steady climb in her career. From there, A.J. Cook continued to take on various television projects, building up her experience and screen presence. By 1999, she gained wider recognition with a standout performance as Mary Libson in Sofia Coppola’s atmospheric film “The Virgin Suicides,” playing one of the tragic sisters whose story captivated audiences. That same year, A.J. Cook stepped into her first leading role with the supernatural thriller “Teen Sorcery,” a direct-to-video flick where she battled a sinister cheerleader while navigating time travel—proving early on that A.J. Cook had a knack for genre roles. In 2000, A.J. Cook joined the cast of the Fox Family Channel drama “Higher Ground,” portraying Shelby, the love interest of Hayden Christensen’s character. The role allowed A.J. Cook to explore more emotional storytelling within a family-centered series. Not ones to shy away from darker themes, A.J. Cook soon returned to horror, headlining the gritty, straight-to-video slasher “Ripper” in 2001. Her portrayal of the determined heroine showcased her ability to carry a film, even within the lower-budget realm. That same year, A.J. Cook lent her presence to “Wishmaster III,” a direct-to-video sequel in the cult horror franchise, further cementing her status in the B-movie horror circuit. She also experimented with comedy, showing off a different side in the goofy snowboard-centric film “Out Cold.” Though the movie leaned more on slapstick than substance, it demonstrated A.J. Cook’s willingness to try new genres. However, she quickly circled back to her roots with another obscure horror entry, “The House Next Door” (2001), keeping her firmly planted in suspenseful territory. Then came a major turning point: in 2002, A.J. Cook took on the lead in “Final Destination 2,” a mainstream horror sequel with a growing fanbase. As the college student who narrowly escapes death—only to be hunted by fate itself—A.J. Cook delivered a compelling and intense performance. This role not only elevated her profile but also introduced her to a much broader audience. With each project, A.J. Cook proved her versatility and resilience, steadily carving out a unique space in film, especially within the thriller and horror genres.

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