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Celebrity Info

Angela Elayne Gibbs

Actress Film Television

Interests

TV

Characteristics

Energetic Brave Confident Enthusiastic Pioneering Passionate Direct

OverView

Country
Born
1954-04-17
Zodiac Sign

MiniBio

Angela Gibbs was a talented actress who made a lasting mark in Hollywood with a career that spanned several decades. To be honest, it all started back in the early days when Angela Gibbs began building her reputation through some notable appearances in action-packed films. One of her first big breaks came with “Cleopatra Jones” in 1973, starring Tamara Dobson—a film that really helped put her on the map. Not long after, she appeared in “Together Brothers” in 1974, further showcasing her range and dedication to her craft. Over the years, Angela Gibbs continued to take on compelling roles, including a memorable part in “The Naked Cage” in 1986, which starred Shari Shattuck.

You know, it wasn’t just films—Angela Gibbs also made a strong impression on television. She showed up in “Number One With a Bullet” in 1987 alongside Robert Carradine and Billy Dee Williams, adding another solid credit to her growing resume. Earlier on, she even appeared in the TV movie “The Healers,” which aired on NBC between 1973 and 1974, proving her versatility early in her career. As time went on, Angela Gibbs became a familiar face in popular crime dramas. In fact, during the 2000s, she worked on major network series like “CSI: Crime Scene Investigation,” which ran from 2000 to 2015, “Crossing Jordan” on NBC from 2001 to 2007, and “Monk” on USA Network between 2001 and 2009. These roles really highlighted her ability to fit seamlessly into high-profile shows.

Oh, and let’s not forget—Angela Gibbs also brought her voice to animated projects. She lent her vocal talents to the quirky Cartoon Network series “Sealab 2021,” which aired from 2001 to 2005, showing yet another dimension of her acting skills. Moving into the 2000s, Angela Gibbs remained active with roles on series like “L.A. Dragnet” (2002–04) and the critically acclaimed “Nip/Tuck” on FX, which ran from 2003 to 2010. On top of her TV work, she didn’t shy away from the big screen either. She appeared in the fun-filled comedy “Drumline” in 2002, sharing the screen with Nick Cannon, and later took part in the well-received adaptation “Think Like A Man” in 2012, starring Michael Ealy.

In more recent years, Angela Gibbs continued to stay relevant with her role on the satirical animated series “Black Jesus,” which aired on Cartoon Network from 2013 to 2015. Throughout it all, Angela Gibbs maintained a steady presence in the entertainment industry, demonstrating both resilience and passion for her art. All in all, Angela Gibbs built a diverse and impressive body of work that continues to be appreciated by fans and peers alike.

Trivia

Angela Elayne Gibbs has appeared in a variety of movies, films, and music projects throughout her career. Among these, her highest rated work is A Simple Wedding (2018), which has received widespread acclaim. On the other hand, one of her lower rated projects is Think Like a Man Too (2014), which didn’t quite resonate as strongly with audiences or critics. While Angela Elayne Gibbs continues to contribute to the entertainment industry, these two titles stand out as examples of the range of reception her work has garnered over the years.

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A.J. Cook
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A.J. Cook’s journey into the entertainment world started with a passion for dance, where she built her early foundation as a competitive performer. It wasn’t long before A.J. Cook made her way into acting, catching her first real break at just 17 years old. In 1997, A.J. Cook appeared in an episode of the popular kids’ horror series “Goosebumps,” which gave her initial exposure to on-screen frights. That same year, she landed a role in the TV drama “In His Father’s Shoes,” marking the beginning of what would become a steady climb in her career. From there, A.J. Cook continued to take on various television projects, building up her experience and screen presence. By 1999, she gained wider recognition with a standout performance as Mary Libson in Sofia Coppola’s atmospheric film “The Virgin Suicides,” playing one of the tragic sisters whose story captivated audiences. That same year, A.J. Cook stepped into her first leading role with the supernatural thriller “Teen Sorcery,” a direct-to-video flick where she battled a sinister cheerleader while navigating time travel—proving early on that A.J. Cook had a knack for genre roles. In 2000, A.J. Cook joined the cast of the Fox Family Channel drama “Higher Ground,” portraying Shelby, the love interest of Hayden Christensen’s character. The role allowed A.J. Cook to explore more emotional storytelling within a family-centered series. Not ones to shy away from darker themes, A.J. Cook soon returned to horror, headlining the gritty, straight-to-video slasher “Ripper” in 2001. Her portrayal of the determined heroine showcased her ability to carry a film, even within the lower-budget realm. That same year, A.J. Cook lent her presence to “Wishmaster III,” a direct-to-video sequel in the cult horror franchise, further cementing her status in the B-movie horror circuit. She also experimented with comedy, showing off a different side in the goofy snowboard-centric film “Out Cold.” Though the movie leaned more on slapstick than substance, it demonstrated A.J. Cook’s willingness to try new genres. However, she quickly circled back to her roots with another obscure horror entry, “The House Next Door” (2001), keeping her firmly planted in suspenseful territory. Then came a major turning point: in 2002, A.J. Cook took on the lead in “Final Destination 2,” a mainstream horror sequel with a growing fanbase. As the college student who narrowly escapes death—only to be hunted by fate itself—A.J. Cook delivered a compelling and intense performance. This role not only elevated her profile but also introduced her to a much broader audience. With each project, A.J. Cook proved her versatility and resilience, steadily carving out a unique space in film, especially within the thriller and horror genres.

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