Celebrity Info
Angela Aames was a talented actress who made a real impact in Hollywood during her career. You know, she really started gaining attention with some early appearances on television, and one of her first notable roles came in the CBS special Love at First Sight (1980–81). Around that same time, Angela Aames also appeared in a couple of TV movies—Moviola: This Year’s Blonde on NBC (1979–80) and The Comeback Kid on ABC (1979–80)—which helped set the stage for what was to come.
Before long, Angela Aames was building up an impressive resume in series television. She even had a role on the popular NBC show B.J. and the Bear, which aired from 1978 to 1981. As the ‘80s rolled in, she continued to stay busy, showing up in memorable guest spots on hit shows like Cheers (1982–1993), Automan (ABC, 1983–84), and Night Court (NBC, 1983–1992). It’s clear that Angela Aames had a knack for finding great opportunities across different genres.
But she wasn’t just a TV star—Angela Aames also made her mark on the big screen. In the early ‘80s, she took on roles in several films, including the sports drama All the Marbles (1981) alongside Peter Falk, the iconic crime epic Scarface (1983) with Al Pacino, and the hilarious Bachelor Party (1984) starring Tom Hanks. These roles really showcased her range as an actress.
Later in the decade, Angela Aames continued working steadily. She appeared in fun comedies like Basic Training (1985) with Ann Dusenberry, the imaginative The Lost Empire (1985) featuring Melanie Vincz, and the cult favorite Chopping Mall (1986) with Kelli Maroney. Oh, and let’s not forget her appearance in the NBC television special The Cracker Brothers (1984–85)—another solid addition to her growing body of work.
She also popped up on The Dom DeLuise Show (1987–88), proving that Angela Aames could adapt to different formats and styles. And wrapping things up for a while, Angela Aames had a role in Flex (1988), which marked one of her later performances. All in all, Angela Aames left behind a diverse and memorable legacy in both film and television.
When it comes to Angela Aames, her most acclaimed work by far is H.O.T.S. (1979), which stands out as her highest-rated movie. Interestingly, despite the positive reception from some quarters, the very same film—H.O.T.S. (1979)—is also considered her lowest-rated project upon review aggregation. So, Angela Aames’s career highlight and low point, at least in terms of ratings, both revolve around this single 1979 release. It’s a bit ironic, really, that one title defines both ends of the spectrum for Angela Aames. Still, it shows how divisive the film has been among critics and audiences alike over the years.
