Celebrity Info
Andrea Riseborough has, without a doubt, emerged as one of the most dynamic and versatile British actresses of the 2010s. With an uncanny ability to transform herself for each role, Andrea Riseborough has crafted a filmography that’s both rich in variety and depth. Her early standout performances came in critically praised films like Brighton Rock (2010), Shadow Dancer (2012), and Battle of the Sexes (2017)—each showcasing a different facet of her impressive range. Born in 1981 in Wallsend, England, Andrea Riseborough discovered her passion for acting at a young age. She nurtured that talent at London’s prestigious Royal Academy of Dramatic Art, where she refined her skills before making waves in the theater world with powerful turns in productions such as Miss Julie, The Pain & The Itch, and Ivanov.
It wasn’t long before the screen caught up with her brilliance. Andrea Riseborough first drew attention playing Anna Wallace, Prince Charles’ former lover, in the TV movie Whatever Love Means (2005). From there, she steadily built momentum with supporting roles in The Secret Life of Mrs Beeton (2006) and the comedy Magicians (2007), eventually landing her first recurring television role as the cunning intern Kirsty in the BBC Two political drama Party Animals (2007). Her collaboration with director Mike Leigh in the Oscar-nominated Happy-Go-Lucky (2008) marked a turning point, earning her wider recognition. That same year, Andrea Riseborough earned a BAFTA nomination for her striking portrayal of a young Margaret Thatcher in The Long Walk to Finchley—a performance that solidified her status as a rising star.
She further diversified her portfolio with the fiery Angelica Fanshawe in Channel 4’s The Devil’s Whore (2008), followed by roles in emotionally layered projects like Mad, Sad & Bad (2009), the haunting Never Let Me Go (2010), and the spirited Made in Dagenham (2010). As the decade progressed, Andrea Riseborough stepped firmly into leading roles—delivering memorable performances as Rose, the pivotal witness in Brighton Rock (2010), the glamorous Wallis Simpson in Madonna’s W.E. (2011), and Sarah, the resilient farmer’s wife in Resistance (2011).
Her career trajectory only accelerated from there. In 2012 alone, Andrea Riseborough took on three compelling roles: Collette, the conflicted informant in Shadow Dancer; Nina, the determined journalist in Disconnect; and DS Sarah Hawks in the tense thriller Welcome to the Punch (2013). She briefly ventured into blockbuster territory with a key role as Victoria, Tom Cruise’s communications officer, in the sci-fi hit Oblivion (2013). Yet, Andrea Riseborough continued to balance mainstream appeal with bold artistic choices—playing Laura, Michael Keaton’s girlfriend, in the darkly comedic Birdman (2014), starring opposite Damian Lewis in The Silent Storm (2014), and appearing in the Duffer Brothers’ debut feature Hidden (2015).
After an eight-year break from major TV roles, Andrea Riseborough returned with a string of complex characters: Nolan’s morally ambiguous mother in Netflix’s Bloodline (2015–17), the daughter of a disgraced comedian in Channel 4’s hard-hitting National Treasure (2016), and Romaine, the enigmatic wife at the center of The Witness for the Prosecution (BBC One, 2016). That same year, she brought sharp wit to the detective spoof Mindhorn (2016) as DC Baines and delivered a chilling performance in Tom Ford’s sleek noir Nocturnal Animals (2016).
Andrea Riseborough has always been drawn to real-life figures, bringing nuance to portrayals like Marilyn Barnett, Billie Jean King’s secret lover in Battle of the Sexes (2017); Svetlana, Stalin’s disillusioned daughter in The Death of Stalin (2017); and Judy Schneider, a devoted Branch Davidian, in the miniseries Waco (2018). Her work in Black Mirror’s deeply unsettling episode “Crocodile” (2018), alongside her intense turn as Nicolas Cage’s kidnapped wife in Mandy (2018), proved her mastery of psychological intensity. She also captivated audiences in the indie drama Nancy (2018), playing a woman haunted by the belief that her family had stolen her identity decades earlier.
Further demonstrating her range, Andrea Riseborough portrayed a compassionate woman who helps redeem a former Ku Klux Klan member in Burden (2018), played ER nurse Alice in The Kindness of Strangers (2019), and starred as Hana, a British aid worker reconnecting with her past, in the romantic drama Luxor (2019). She embraced the horror genre with roles in The Grudge remake (2020) and Brandon Cronenberg’s mind-bending Possessor (2020), before joining Gabriel Byrne in the gritty crime series ZeroZeroZero (Amazon, 2020–21).
Throughout it all, Andrea Riseborough has remained a quietly commanding presence—constantly evolving, fearlessly choosing challenging roles, and leaving an indelible mark on both screen and stage.
When it comes to Andrea Riseborough’s career highlights, one film that really stands out is The Death of Stalin from 2017—widely regarded as Andrea Riseborough’s highest rated movie. It earned strong praise from both critics and audiences alike, showcasing her talent in a sharp, satirical setting. On the other end of the spectrum, Andrea Riseborough’s lowest rated film appears to be W.E., released back in 2011. While the project was ambitious, it didn’t resonate as well with viewers or reviewers. Still, Andrea Riseborough brought depth and dedication to the role, as she often does. Overall, Andrea Riseborough continues to take on diverse roles, proving her versatility across different genres and styles.
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