An actress who first gained widespread recognition for her performance in Martin Scorsese’s Mean Streets (1973), Robinson later transitioned into an independent producer, carving out a distinctive niche in the film industry. Over the years, she has predominantly collaborated with Griffin Dunne, with whom she co-founded Triple Play Productions in 1977—alongside Mark Metcalfe—and later established Double Play Productions in 1982, this time without Metcalfe. One of her most notable achievements came with the 1985 film After Hours, which not only brought her back together with director Martin Scorsese but also earned her both critical acclaim and commercial success. In addition to her producing work, Robinson has remained actively involved with Robert Redford’s Sundance Institute, contributing to the development of independent cinema.
When it comes to Amy Robinson’s career highlights, one film consistently stands out as her highest rated work—Baby, It’s You from 1983. Critics and audiences alike have praised this early ‘80s gem, making it a clear favorite in Amy Robinson’s filmography. Over the years, Amy Robinson has been involved in a variety of projects, but none have quite matched the acclaim of that particular title. On the other end of the spectrum, Autumn in New York (2001) tends to receive the lowest ratings among her body of work. While the romantic drama had its moments, it didn’t resonate as strongly with viewers or critics, landing it at the bottom when evaluating Amy Robinson’s contributions to film. So, whether you’re exploring the peak of her success or looking at less celebrated efforts, Amy Robinson’s journey through cinema offers an interesting mix of highs and lows.