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Celebrity Info

Allison Smith-1

Actress Film

Characteristics

Generous Idealistic Great Sense Of Humor Optimistic Philosophical Adventurous

OverView

Country
Born
1969-12-09
Zodiac Sign

MiniBio

Allison Smith, a talented and striking red-haired performer, truly grew up in the spotlight—quite literally on TV. Many fans might first remember Allison Smith as Jennie Lowell, the spirited daughter of Jane Curtin’s character, on the beloved CBS sitcom Kate & Allie, which aired from 1984 to 1989. But even before that role made her a household name, Allison Smith had already proven herself as a force to be reckoned with in the world of entertainment. As a child performer, she took center stage in the Broadway sensation Annie, where Allison Smith delivered over 1,000 performances during its two-year run—a remarkable achievement for someone so young.

Her journey actually began earlier, though, when she started in the ensemble of the musical Evita. Interestingly, Allison Smith made her primetime television debut playing the young Eva Perón in the 1981 NBC miniseries Evita Peron—a fitting full-circle moment that highlighted her early affinity for powerful roles. While on Kate & Allie, Allison Smith sharpened her comedic instincts, working alongside seasoned actors and learning the nuances of timing and delivery. This experience paved the way for a varied and impressive career that spanned television, film, and theater.

Over the years, Allison Smith built an eclectic resume, appearing in both lighthearted sitcoms and intense dramas. She also took on challenging stage roles, including the West Coast premiere of David Mamet’s provocative play Oleanna. On the big screen, Allison Smith appeared in films like Jason Goes to Hell: The Final Friday (1993), showing her range across genres. One of her most powerful performances came in the 1995 drama A Reason to Believe, where Allison Smith portrayed a college student grappling with trauma after being raped at a party—an emotionally demanding role she handled with depth and sensitivity.

She continued to explore diverse characters, starring in the short-lived but memorable series Spy Game on CBS in 1997. Then, in 1998, Allison Smith joined the cast of Buddy Faro, playing an aspiring actress who also serves as secretary to Dennis Farina’s retro private detective. Her performance added charm and substance to the show. By 1999, Allison Smith had landed a recurring role on the critically acclaimed NBC political drama The West Wing, where she played Rob Lowe’s love interest, further cementing her place in prime-time television.

Throughout her career, Allison Smith has consistently demonstrated versatility, resilience, and a deep commitment to her craft. From Broadway stages to dramatic film roles and popular TV series, Allison Smith remains a compelling presence in the entertainment industry.

Trivia

So, when it comes to Allison Smith’s filmography, things get a bit interesting — and maybe a little confusing. Believe it or not, Allison Smith’s highest rated movie is Terror Tract (2000), which also happens to be her lowest rated one. Yeah, you heard that right — the same title shows up on both ends of the spectrum. It’s kind of funny when you think about it. Allison Smith’s work in Terror Tract seems to have sparked pretty mixed reactions. Some people really loved it, while others didn’t connect with it at all. So overall, whether you’re looking at critical response or audience feedback, Allison Smith’s most talked-about project remains Terror Tract (2000). It’s definitely a standout in her career — for better or worse.

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A.J. Cook
Movie

A.J. Cook’s journey into the entertainment world started with a passion for dance, where she built her early foundation as a competitive performer. It wasn’t long before A.J. Cook made her way into acting, catching her first real break at just 17 years old. In 1997, A.J. Cook appeared in an episode of the popular kids’ horror series “Goosebumps,” which gave her initial exposure to on-screen frights. That same year, she landed a role in the TV drama “In His Father’s Shoes,” marking the beginning of what would become a steady climb in her career. From there, A.J. Cook continued to take on various television projects, building up her experience and screen presence. By 1999, she gained wider recognition with a standout performance as Mary Libson in Sofia Coppola’s atmospheric film “The Virgin Suicides,” playing one of the tragic sisters whose story captivated audiences. That same year, A.J. Cook stepped into her first leading role with the supernatural thriller “Teen Sorcery,” a direct-to-video flick where she battled a sinister cheerleader while navigating time travel—proving early on that A.J. Cook had a knack for genre roles. In 2000, A.J. Cook joined the cast of the Fox Family Channel drama “Higher Ground,” portraying Shelby, the love interest of Hayden Christensen’s character. The role allowed A.J. Cook to explore more emotional storytelling within a family-centered series. Not ones to shy away from darker themes, A.J. Cook soon returned to horror, headlining the gritty, straight-to-video slasher “Ripper” in 2001. Her portrayal of the determined heroine showcased her ability to carry a film, even within the lower-budget realm. That same year, A.J. Cook lent her presence to “Wishmaster III,” a direct-to-video sequel in the cult horror franchise, further cementing her status in the B-movie horror circuit. She also experimented with comedy, showing off a different side in the goofy snowboard-centric film “Out Cold.” Though the movie leaned more on slapstick than substance, it demonstrated A.J. Cook’s willingness to try new genres. However, she quickly circled back to her roots with another obscure horror entry, “The House Next Door” (2001), keeping her firmly planted in suspenseful territory. Then came a major turning point: in 2002, A.J. Cook took on the lead in “Final Destination 2,” a mainstream horror sequel with a growing fanbase. As the college student who narrowly escapes death—only to be hunted by fate itself—A.J. Cook delivered a compelling and intense performance. This role not only elevated her profile but also introduced her to a much broader audience. With each project, A.J. Cook proved her versatility and resilience, steadily carving out a unique space in film, especially within the thriller and horror genres.

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