Well, when it comes to Alessandro Bedetti, things get a bit interesting — his highest rated movie, film, or even music project so far is The Tearsmith (2024), which also happens to be, oddly enough, his lowest rated work. Yeah, you heard that right — Alessandro Bedetti’s most praised and least praised release at the moment is actually the same title: The Tearsmith (2024). It seems like reactions to Alessandro Bedetti’s involvement in the project have been pretty divided. Still, no matter how you look at it, Alessandro Bedetti is definitely linked to this film in a major way, for better or worse. Whether that’ll change with future projects remains to be seen, but for now, Alessandro Bedetti’s standout — and only — rating record revolves entirely around The Tearsmith (2024).